قراءة كتاب The Art of War in the Middle Ages A.D. 378-1515

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The Art of War in the Middle Ages A.D. 378-1515

The Art of War in the Middle Ages A.D. 378-1515

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دار النشر: Project Gutenberg
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tag="{http://www.w3.org/1999/xhtml}a">15 bodies attached by personal ties to their leaders, is the characteristic military form of the sixth century. Its normal prevalence is shown by the contemporary custom of speaking of each corps by the name of its commanding officer, and not by any official title. Nothing could be more opposed than this usage to old Roman precedent.

The efficiency of Justinian’s army in the Vandalic, Persian, or Gothic wars, depended (as has already been implied) almost entirely on its excellent cavalry. The troops, whether Teutonic or Eastern, against which it was employed were also horsemen. Engaging them the Romans prevailed, because in each case they were able to meet their adversaries’ weapons and tactics not merely with similar methods, but with a greater variety of resources. Against the Persian horse-archer was sent not only the light-cavalry equipped with arms of the same description, but the heavy foederate lancers, who could ride the Oriental down. Against the Gothic heavy cavalry the same lancers were supported by the mounted bowmen, to whom the Goths had nothing to oppose. If, however, the Roman army enjoyed all the advantages of its diverse composition, it was, on the other hand, liable to all the perils which arise from a want of homogeneity. Its various elements were kept together only by military pride, or confidence in some successful general. Hence, in the troublous times which commenced in the end of Justinian’s reign and continued through those of his successors, the whole military organization of the empire began to crumble away. A change not less sweeping than that which Theodosius had introduced was again to be taken in hand. In 582 A.D. the reforming Emperor Maurice came to the throne, and commenced to recast the imperial army in a new mould.


II.
The Early Middle Ages.
A.D. 476–1066–81.

[From the Fall of the Western Empire to the Battles of Hastings and Durazzo.]

The Franks, Anglo-Saxons, Scandinavians, etc.

In leaving the discussion of the military art of the later Romans in order to investigate that of the nations of Northern and Western Europe, we are stepping from a region of comparative light into one of doubt and obscurity. The data which in the history of the empire may occasionally seem scanty and insufficient are in the history of the Teutonic races often entirely wanting. To draw up from our fragmentary authorities an estimate of the military importance of the Eastern campaigns of Heraclius is not easy: but to discover what were the particular military causes which settled the event of the day at Vouglé or Tolbiac, at Badbury or the Heavenfield, is absolutely impossible. The state of the Art of War in the Dark Ages has to be worked out from monkish chronicles and national songs, from the casual references of Byzantine historians, from the quaint drawings of the illuminated manuscript, or the mouldering fragments found in the warrior’s barrow.

It is fortunate that the general characteristics of the period render its military history comparatively simple. Of strategy there could be little in an age when men strove to win their ends by hard fighting rather than by skilful operations or the utilizing of extraneous advantages. Tactics were stereotyped by the national organizations of the various peoples. The true interest of the centuries of the early Middle Ages lies in the gradual evolution of new forms of warlike efficiency, which end in the establishment of a military class as the chief factor in war, and the decay among most peoples of the old system which made the tribe arrayed in arms the normal fighting force. Intimately connected with this change was an alteration in arms and equipment, which transformed the outward appearance of war in a manner not less complete. This period of transition may be considered to end when, in the eleventh century, the feudal cavalier established his superiority over all the descriptions of troops which were pitted against him, from the Magyar horse-archers of the East to the Anglo-Danish axe-men of the West. The fight of Hastings, the last attempt made for three centuries by infantry to withstand cavalry, serves to mark the termination of the epoch.

The Teutonic nation of North-Western Europe did not​--​like the Goths and Lombards​--​owe their victories to the strength of their mail-clad cavalry. The Franks and Saxons of the sixth and seventh centuries were still infantry. It would appear that the moors of North Germany and Schleswig, and the heaths and marshes of Belgium, were less favourable to the growth of cavalry than the steppes of the Ukraine or the plains of the Danube valley. The Frank, as pictured to us by Sidonius Apollinaris, Procopius, and Agathias, still bore a considerable resemblance to his Sigambrian ancestors. Like them he was destitute of helmet and body-armour; his shield, however, had become a much more effective defence than the wicker framework of the first century: it was a solid oval with a large iron boss and rim. The ‘framea’ had now been superseded by the ‘angon’​--​‘a dart neither very long nor very short, which can be used against the enemy either by grasping it as a pike or hurling it16.’ The iron of its head extended far down the shaft; at its ‘neck’ were two barbs, which made its extraction from a wound or a pierced shield almost impossible. The ‘francisca,’ however, was the great weapon of the people from whom it derived its name. It was a single-bladed battle-axe17, with a heavy head composed of a long blade curved on its outer face and deeply hollowed in the interior. It was carefully weighted, so that it could be used, like an American tomahawk, for hurling at the enemy. The skill with which the Franks discharged this weapon, just before closing with the hostile line, was extraordinary, and its effectiveness made it their favourite arm. A sword and dagger (‘scramasax’) completed the normal equipment of the warrior; the last was a broad thrusting blade, 18 inches long, the former a two-edged cutting weapon of about 2½ feet in length.

Such was the equipment of the armies which Theodebert, Buccelin, and Lothair led down into Italy in the middle of the sixth century. Procopius informs us that the first-named prince brought with him some cavalry; their numbers, however, were insignificant, a few hundreds in an army of 90,000 men. They carried the lance and a small round buckler, and served as a body-guard round the person of the king. Their presence, though pointing to a new military departure among the Franks, only serves to show the continued predominance of infantry in their armies.

A problem interesting to the historian was worked out, when in A.D. 553 the footmen of Buccelin met the Roman army of Narses at the battle of Casilinum. The superiority of the tactics and armament of the imperial troops was made equally conspicuous. Formed in one deep column the Franks advanced into the centre of the semicircle in which Narses had ranged his men. The Roman infantry and the dismounted heavy cavalry of the Herule auxiliaries held them in play in front, while the horse-archers

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