bed-chamber. Pan Stanislav dismissed him at once, and was alone. That was the same chamber which they gave him, when, during the life of Plavitski’s first wife, he came to Kremen with his mother; and remembrances beset him again. The windows looked out on a garden, beyond which lay a pond; the moon was looking into the water, and the pond could be seen more easily than in former times, for it was hidden then by a great aged ash-tree, which must have been broken down by a storm, since on that spot there was sticking up merely a stump with a freshly broken piece at the top. The light of the moon seemed to centre on that fragment, which was gleaming very brightly. All this produced an impression of great calm. Pan Stanislav, who lived in the city amid mercantile labors, therefore in continual tension of his physical and mental powers, and at the same time in continual unquiet, felt that condition of the country around him as he would a warm bath after great toil. He was penetrated by relief. He tried to reflect on business transactions, how were they turning, would they give loss or profit, finally on Bigiel, his partner, and how Bigiel would manage various interests in his absence,—but he could not continue.

Then he began to think of Panna Plavitski. Her person, though it had made a good impression, was indifferent to him, even for this reason, that he saw her for the first time; but she interested him as a type. He was thirty years old and something more, therefore of the age in which instinct, with a force almost invincible, urges a man to establish a domestic hearth, take a wife, and have a family. The greatest pessimism is powerless against this instinct; neither art nor any calling in life protects a man against it. In consequence of this, misanthropes marry in spite of their philosophy, artists in spite of their art, as do all those men who declare that they give to their objects not a half, but a whole soul. Exceptions confirm the principle that, in general, men cannot live a conventional lie and swim against the currents of nature. For the great part, only those do not marry for whom the same power that creates marriage stands in the way of it; that is, those whom love has deceived. Hence, celibacy in advanced life, if not always, is most frequently a hidden tragedy.

Stanislav Polanyetski was neither a misanthrope nor an artist; neither was he a man proclaiming theories against marriage. On the contrary, he wanted to marry, and he was convinced that he ought to marry. He felt that for him the time had arrived; hence he looked around for the woman. From that came the immense interest which women roused in him, especially unmarried ones. Though he had spent some years in France and Belgium, he had not sought love among married women, even among those who were over giddy. He was an active and occupied person, who contended that only idle men can romance with married women, and in general that besieging other men’s wives is possible only where men have very much money, little honor, and nothing to do, consequently in a society where there is a whole class long since enriched, sunk in elegant idleness, and of dishonest life. He was himself, in truth, greatly occupied, hence he wished to love in order to marry; therefore only unmarried women roused in him curiosity of soul and body. When he met a young lady, the first question he asked himself was, “Is she not the woman?” or at least, “Is she not the kind of woman?” At present his thoughts were circling around Panna Plavitski in this manner. To begin with, he had heard much of her from her relative living in Warsaw; and he had heard things that were good and even touching. Her calm, mild face was before his eyes now. He recalled her hands, very shapely, with long fingers, though somewhat sunburnt, her dark blue eyes, then the slight shadow over her mouth. Her voice too pleased him. Notwithstanding all this, he repeated his promise that he would make no compromise and must have his own; still he was angry at the fate which had brought him to Kremen as a creditor. Speaking to himself in mercantile language, he repeated in spirit, “The quality is good, but I will not ‘reflect,’ as I did not come for it.”

Still he “reflected,” and that to such a degree that after he had undressed and lain down, he could not sleep for a long time. The cocks began to crow, the window panes were growing pale and green; but under his closed eyelids he saw yet the calm forehead of Panna Plavitski, the shadow over her mouth, and her hands pouring out the tea. Then, when sleep became overpowering, it seemed to him as though he were holding those hands in his own and drawing her toward him, and she was pulling back and turning her head aside, as if to escape a kiss. In the morning he woke late, and remembering Panna Plavitski, thought, “Ah, she will look like that!”

CHAPTER II.

He was roused by the servant, who brought coffee and took his clothes to be brushed. When the servant brought them back, Pan Stanislav asked if it were not the custom of the house to meet in the dining-room for coffee.

“No,” answered the servant; “because the young lady rises early, and the old gentleman sleeps late.”

“And has the young lady risen?”

“The young lady is at church.”

“True, to-day is Sunday. But does not the young lady go to church with the old gentleman?”

“No; the old gentleman goes to high Mass, and then goes to visit the canon, so the young lady prefers early Mass.”

“What do they do here on Sunday?”

“They sit at home; Pan Gantovski comes to dinner.”

Pan Stanislav knew this Gantovski as a small boy. In those times they nicknamed him “Little Bear,” for he was a thick little fellow, awkward and surly. The servant explained that Pan Gantovski’s father had died about five years before, and that the young man was managing his estate in the neighboring Yalbrykov.

“And does he come here every Sunday?”

“Sometimes he comes on a week day in the evening.”

“A rival!” thought Pan Stanislav. After a while he inquired,—

“Has the old gentleman risen?”

“It must be that he has rung the bell, for Yozef has gone to him.”

“Who is Yozef?”

“The valet.”

“And who art thou?”

“I am his assistant.”

“Go and inquire when it will be possible to see the old gentleman.”

The servant went out and returned soon.

“The old gentleman sends to say that when he dresses he will beg you to come.”

“Very well.”

The servant went out; Pan Stanislav remained alone and waited, or rather was bored, a good while. Patience began to fail him at last; and he was about to stroll to the garden, when Yozef came with the announcement that the old gentleman begged him to come.

Yozef conducted him then to a chamber at the other end of the house. Pan Stanislav entered, and at the first moment did not recognize Pan Plavitski. He remembered him as a person in the bloom of life and very good-looking; now an old man stood before him, with a face as wrinkled as a baked apple,—a face to which small blackened mustaches strove in vain to lend the appearance of youth. Hair as black as the mustaches, and parted low at the side of the head, indicated also pretensions as yet unextinguished.

But Plavitski opened his arms: “Stas! how art thou, dear boy? Come hither!” And, pointing to his white shirt, he embraced the head of Pan Stanislav, and pressed it to his bosom, which moved with quick breathing.

The embrace continued a long time, and for Pan Stanislav, much too long. Plavitski said at last,—

“Let me look at thee, Anna, drop for drop! My poor beloved Anna!” and Plavitski sobbed; then he wiped with his