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قراءة كتاب Homes and haunts of the most eminent British poets, Vol. II (of 2)

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Homes and haunts of the most eminent British poets, Vol. II (of 2)

Homes and haunts of the most eminent British poets, Vol. II (of 2)

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دار النشر: Project Gutenberg
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HOMES AND HAUNTS OF THE MOST EMINENT BRITISH POETS.

VOL. II.




HOMES AND HAUNTS

OF THE

MOST EMINENT BRITISH POETS.



BY

WILLIAM HOWITT.



The Illustrations Engraved by H. W. Hewet.


"An indissoluble sign of their existence has stamped itself on the abodes of all distinguished men, a sign which places all kindred spirits in communion with them."—The Citizen of Prague.



IN TWO VOLUMES.



VOL. II.



NEW YORK:
HARPER & BROTHERS, PUBLISHERS,
82 CLIFF STREET.
1847.


CONTENTS OF VOL. II.

POETS. ILLUSTRATIONS. PAGE
CRABBE Belvoir Castle 5
HOGG   34
COLERIDGE Coleridge Enlisting 81
MRS. HEMANS Residence at Rhyllon 122
L. E. L. Cape Coast Castle 145
SCOTT Abbotsford 167
  Tomb, Dryburgh Abbey 536
CAMPBELL Gateway of Glasgow College 231
SOUTHEY Residence at Keswick 255
  Birthplace at Bristol 284
BAILLIE   285
WORDSWORTH Grasmere 295
MONTGOMERY Fulneck Moravian Settlement 334
LANDOR Residence near Fiesole 369
LEIGH HUNT Birthplace at Southgate 396
ROGERS House in St. James's Place 420
MOORE Cottage at Sloperton 445
ELLIOTT The "Ranter" Preaching 462
WILSON   501
PROCTER   508
TENNYSON Birthplace at Somersby 513
  Antique Cross 532
Concluding Remarks 533

Belvoir Castle

Belvoir Castle

  GEORGE CRABBE.

When a youth, with a voracious appetite for books, an old lady, who kindly supplied me with many, put one day into my hands Crabbe's Borough. It was my first acquaintance with him, and it occasioned me the most singular sensations imaginable. Intensely fond of poetry, I had read the great bulk of our older writers, and was enthusiastic in my admiration of the new ones who had appeared. The Pleasures of Hope, of Campbell, the West Indies and World before the Flood, of Montgomery, the first Metrical Romances of Scott, all had their due appreciation. The calm dignity of Wordsworth and the blaze of Byron had not yet fully appeared. Every thing, however, old or new, in poetry, had a certain elevation of subject and style which seemed absolutely necessary to give it the title of poetry. But here was a poem by a country parson; the description

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