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قراءة كتاب Evolution in Art As Illustrated by the Life-histories of Designs

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Evolution in Art
As Illustrated by the Life-histories of Designs

Evolution in Art As Illustrated by the Life-histories of Designs

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دار النشر: Project Gutenberg
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EVOLUTION IN ART:
AS ILLUSTRATED BY THE
LIFE-HISTORIES OF DESIGNS.

BY

ALFRED C. HADDON,

Professor of Zoology, Royal College of Science, Dublin, Corresponding
Member of the Italian Society of Anthropology, etc.

With 8 Plates, and 130 Figures in the Text.

LONDON:
WALTER SCOTT, LTD., PATERNOSTER SQUARE.
CHARLES SCRIBNER’S SONS,
153-157 FIFTH AVENUE, NEW YORK.
1895.


THE WALTER SCOTT PRESS, NEWCASTLE-ON-TYNE.


PREFACE.

Decoration

I would like to take the opportunity which a Preface affords to thank those friends who have helped me in the preparation of this little book. Most of them will find their names mentioned somewhere in the text. It is also my pleasant duty to heartily acknowledge the kindness I have everywhere experienced when collecting the materials on which these studies are based. On many occasions I have entered a museum in Britain or abroad, not knowing any one on the staff. On explaining my object every facility was at once offered, cases were opened, specimens were handed to me, and various conveniences arranged; often, too, help was rendered me at the time, not only by curators and assistants, but also by museum porters and gendarmes. It is particularly gratifying for a stranger to be received as a colleague, and to find that museum authorities everywhere recognise that the collections put under their charge serve their end best when they are utilised by students.

A word of apology may be needed for the copious extracts which have been made from the works of other writers. My object in this has been to show that there has been quite a considerable number of investigators who have approached the subject of decorative art from a similar point of view to that elaborated in the present essay. A quotation brings one more face to face with the author than does a mere abstract, and personally I like to feel the comradeship of similar studies. We all contribute our mites, and the only pity is we cannot all be personally known to one another.

It would afford me great pleasure if this book leads to new students entering upon this important and intensely interesting field of inquiry, and I shall always be pleased to correspond with those who are or who desire to be fellow-workers.

ALFRED C. HADDON.


CONTENTS.

Decoration
      PAGE
Introduction 1
The Decorative Art of British New Guinea: as an Example of the Method of Study 11
I. Torres Straits and Daudai 13
II. The Fly River 26
III. The Papuan Gulf 29
IV. The Central District 42
V. The Massim District 47
VI. Relation of the Decorative Art to the Ethnology of British New Guinea 59
VII. Note on the Scroll Designs of British New Guinea 67
The Material of Which Patterns Are Made 74
I. The Decorative Transformation and Transference of Artificial Objects (Skeuomorphs) 75
  1. Transformation of a Solitary Object 76
  2. Transference of Fastenings 84
  3. Skeuomorphs of Textiles 89
  4. Skeuomorphic Pottery 97
  5. Stone Skeuomorphs of Wooden Buildings 114
 

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