href="@public@vhost@g@gutenberg@html@files@46079@[email protected]#fig032" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">32. Rubbing of part of the carved rim of a wooden bowl from the D’Entrecasteaux Islands; one-third natural size.
33. Rubbing of the handle of a turtle-shell spatula from the Louisiades, in the British Museum; one-half natural size.
34. Rubbing of the decoration of one side of a club; one-third natural size. The block is turned round to show the pattern more clearly, the zigzag bands in reality run across the club.
35. Rubbing of the handle of a spatula in the British Museum; one-third natural size.
36. Rubbings of the three sides of the handle of a spatula from the d’Entrecasteaux, in the Dublin Museum; one-half natural size.
37. A. B. Sketches of two stages of the “bird bracket” of two spatulas, probably from the Woodlarks, in the author’s collection; C, D, analogous details from canoe carvings—C. from a photograph; D. from a specimen in the Edinburgh Museum. (Original.)
38. Rubbing of the decoration of a club in the Dublin Museum; one-third natural size.
39. Rubbing of the decoration of a club in the Dublin Museum; one-third natural size.
40. Rubbing of the central longitudinal band of a club from the d’Entrecasteaux in the Edinburgh Museum; one-third natural size.
41. Rubbing of part of the decoration of a club from the d’Entrecasteaux in the Edinburgh Museum; one-third natural size.
42. Bird and crocodile designs, Massim Archipelago. A. Canoe carving from Wari (Teste Island), about two-ninths natural size; B. Handle of a paddle in the Cambridge Museum, one-half natural size; C. Handle of a spatula in the Leiden Museum, three-sevenths natural size; D. Handle of a spatula from Tubutubu (Engineer Group) in the Cambridge Museum, three-sevenths natural size; E. Handle of a paddle in the Cambridge Museum, three-sevenths natural size. (Original.)
43. Rubbing of the decoration of a Maori flute in the Natural History Museum, Belfast; one-half natural size. (Original.)
44. Turtle-shell ornaments worn in Torres Straits. The ratio of size of the illustrations to the originals is as 4 : 15; A. Ordinary fish-hook, made of turtle-shell; B-L. Series of ornaments, probably derived from fish-hooks, made of turtle-shell. All in the British Museum, from a photograph by Mr. H. Oldland, of the British Museum.
45. Sketches of two axes from the South-east Peninsula of New Guinea, in the possession of the author; about one-tenth natural size. (Original.)
46. Mangaian symbolic adze in the Copenhagen Museum; from Dr. C. March.
47. An erect drum, Kaara, surmounted by the head of a god from Java, in the Copenhagen Museum; from Dr. C. March.
48. Rubbing of part of the decoration of a Tongan club in the Norwich Museum; one-third natural size. (Original.)
49. Rubbing of part of the decoration of a Tongan club in the Norwich Museum; one-half natural size. (Original.)
50. Rubbing of part of the decoration of a Tongan club in the Norwich Museum; one-half natural size. (Original.)
51. Sketches of tapa belts from Kerepunu, British New Guinea; about three-quarters natural size. (Original.)
52. Designs derived from uluri (women’s covering); A, B, C, Bakaïri tribe, Central Brazil; D, Auetö tribe, Central Brazil. After Von den Steinen; greatly reduced.
53. Iroquois bark vessel; after Cushing.
54. Rectangular or Iroquois type of earthen vessel; after Cushing.
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