You are here
قراءة كتاب Elderflowers
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
ribbons which he was offering for sale to the women and girls alighting from the carriages. I recognized the man right away: it was Baruch Loew, Jemimah's father, and one minute later I was standing in front of him and holding his arm in a vice-like grip.
"Is it still going? Is it still going strong? It hasn't packed up yet? You haven't buried it like Mahalath's, have you?"
"What the devil!" cried the street hawker, taken aback by being accosted so crazily. "What's up?"
Then he knew me and, naturally enough, thought only of the watch I had once left in hock at his house and never been back to reclaim. He looked me in the face with an apologetic smile.
"Blow me down with a feather if it isn't that handsome clever clogs of a medical student. Well, this is a surprise and no mistake. Why shouldn't it still be going strong then? It keeps time to the minute even now, but I'm sorry to say I don't have it any more. What can I do for you apart from that?"
I pushed the man out of the courtyard of the 'Golden Goose' into the site of the old horse fair. There I repeated my question to him, mentioning his daughter by name, and now his face altered so dramatically, and he looked at me so stunned and stony-faced and crestfallen that there was no need to wait for his answer. A procession that was even then making its way over that very spot separated us from each other and I apathetically allowed myself to be shoved, dragged along and borne away by the crowd.
In the Jewish quarter it was as quiet as the grave. The silence was unnerving. Once again I rang the bell at the entrance to Beth Chaim and once again a grille was opened in the gate and the wrinkled, nearly centenarian face of the guardian of this 'house of life' appeared in the opening and, at the same time, the bolt was pulled back.
"So it's you!" said the old man. "I knew that somehow I'd see you again. Come through!"
He walked in front of me and I followed him down the shadowy graveyard paths and the festive exultations of a thousand clamouring voices in the great city of Prague were blotted out by the silence. The elder flowers in bloom made a splendid show over the graves but there were no birds to sing in them.
"Have they already told you she's passed on?" said the greybeard.
I nodded and the latter continued and spoke almost word for word like the royal psalmist of his people: "I am like one forsaken among the dead, like one whose joy has been removed from him. The loveliest flower of the field has been plucked and the voice of the cantor is no more heard among us."
He gently took hold of my hand: "Do not weep, my son. What they always say is always true: tears won't bring her back to us. Perhaps it was wrong of me to drive you away, but who could have said then what was right and what was wrong? Her funeral was only last week. The greatest of physicians were at her bedside but were powerless to help her. She was right. Her heart was too big. Do not hold yourself responsible for her death. You were just as sick as she was. All those scholarly gentlemen agreed that she couldn't have held out much longer at best. Her memories of you, my son, were joyful ones, expressed in affectionate terms of endearment. You were a ray of sunlight in her short, dark and poverty-stricken life. Through you she became conversant with the blue vault of heaven and the land of the living of which I had kept her so fearfully ignorant. You brought her much joy and a great deal of happiness and a thousand blessings intended for you were on her lips when she died. Oh, it was a great, sad and beautiful miracle how even her thoughts as well as the whole of her physical being were utterly transformed. The Lord of All knows best how to lead His children out of darkness, out from behind prison walls into light and freedom. She was beautiful when she died, truly beautiful. I could only keep her hostage here and so the God of the Living took her from me to be with Him forever in the real 'House of Life'. May His name be ever glorified!"
What answer I made to the old man's words I no longer know. "Remember the elderflower!" she had said and how I did remember it throughout my life I have just related. Her grave was not to be found in the old Jewish cemetery in Josephstown for the good emperor Joseph had forbidden any further burials to take place there. Mahalath's had been the last.
I have taken a long time to write down all the memories that went through my mind as I held that garland of elderflowers in my hand which another dead girl had worn. Now a grieving mother took it off me and put it back into the pretty box from which she had taken it in the first place.
Then she laid her hand upon my shoulder: "How grateful I am to you, doctor, for sharing my grief so closely."
I looked at her, incapable of a reply. The fire in the stove had gone out and the room had grown cold. The sun had gone down behind the skyline. The brightness of that winter day had faded. I cannot describe how heavily I felt the burden of my years weigh down on me.
Sadder, yes, but none the worse for that, I made my way downstairs again, past an ever-young and meditative muse, and left that quiet, chilly, fatal house behind me.
End of the Project Gutenberg EBook of Elderflowers, by Wilhelm Raabe
*** END OF THIS PROJECT GUTENBERG EBOOK ELDERFLOWERS ***
***** This file should be named 48730.txt or 48730.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/8/7/3/48730/
Produced by English translation produced by Michael Wooff Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this


