23]"/> shouting it with a fog-horn, and you're so stingy you wouldn't tell me if you did know. Not that it makes any difference; you're not likely to known anything on any side of the earth."

"Humph," was the indignant retort, "if I don't know things why should you be so anxious to see me talk so you could find them out."

"Miss Mary" was saved from the embarrassment of a reply by the timely arrival of my grandmother, who could always apply oil to the waters when they were especially troubled.

A part of my youthful education consisted of the thrilling stories related to me by the captain's faithful relict, whose memory cherished the tales of "moving 'scapes by land and sea" told her in early days by the sailor. Thus I met the man-eaters of the South Seas, shuddered at the gruesome trophies that adorned the persons and huts of the head-hunters of Borneo, beheld the sea-serpent in the rippling waves of the river that flowed below the edge of my grandmother's lawn, and heard many a story of storm and wreck in which the departed sea-captain had performed wonders of skill and bravery.

"Well, Mary Hutchins!" exclaimed Miss Sophia in stern disapproval when I would be lost in rapt attention to these thrilling tales. "What do you mean by putting such notions into that innocent child's head? What do you suppose she will come to when she grows up? A lunatic asylum? Come out of one yourself most likely or you wouldn't get such crazy ideas. Just fancy people wearing other people's heads and hanging them on the wall when they can pick up beautiful shell necklaces right off their own beach and can get wax flowers to put around their houses that look natural and won't ever fade! And as for sea-serpents, you know there never were any."

"Now, Sophia Wilson," Mrs. Hutchins would answer, "the Bible tells us that there are more things in heaven and earth than philosophy ever dreamt of, and we know it's true, and if philosophy can't even dream of the things in heaven and earth, how in the name of common sense are you going to know what's in the waters under the earth? And doesn't it stand to reason that those who go down into the great deep know more about what's in the sea-waves than you do who would be afraid of the wave of a clothes-line on a wash-day?"

In romantic moments Mrs. Hutchins would tell me of the green-haired, flame-eyed, melodious-voiced mermaids that lie in wait to lure unwary seamen to destruction on the rocks, from which danger her sailor had been delivered by the memory of her. Unfortunately, Miss Sophia chanced to be present at one of these sentimental reminiscences.

"You never did have green hair, Mary Hutchins, not even at your prettiest, and that wouldn't be much, and as for flaming eyes, you couldn't scorch a potato, not if your dinner depended on it, and if you ever did sing it must have been worse than a flock of jaybirds. Talk about that old Greek who moved trees when he played! I should think your singing would be enough to make all the woodpiles in Virginia run away. The more you educate that child, Mary Hutchins, the less she knows. The Lord gave her more learning to begin with than she'll ever get from you, and if you go on telling her such trash she'll forget all she ever did know. I heard you yesterday telling her about the ghosts of the children of Israel that keep on crossing the Red Sea. Now I want you to know, Mary Hutchins, that when those Jews crossed the Red Sea once they were on the other side for good and they don't go on walking through that water as if the Lord had nothing to do but take care of them every time they chose to go wading. There is such a thing as trusting the Lord once too often, and the folks that know Him as well as the children of Israel did aren't going to take risks like that on Him. First thing you know you'll have that child seeing ghosts, and you know well enough that people who see ghosts aren't ever likely to see anything that's worth looking at."

I was often troubled in my mind between a confidence in "Miss Mary," which I wished to preserve unshaken, and the force of Miss Sophia's arguments.

The germ of pathos latent in my undeveloped mind was fostered by the story of Miss Sophia's lost vision, which ran thus:

She was visiting at the home of a friend who owned a parrot of unusual brightness of mind and independence of character. Its mistress had a little wooden whistle like those you may recall having seen rural schoolboys whittle out and use for the production of music somewhat shrill in tone but well adapted to please the taste of the juvenile artist. The lady would whistle to the bird, which would answer her in tones that obviously fell short of its ambition. The mistress had a whistle like her own made for the parrot who, marvelous to relate, acquired a high degree of skill in its use and was proud of the achievement.

Once when Miss Sophia's fiancé called she wished to entertain him with a display of the bird's accomplishments. Putting her friend's whistle to her lips she approached the cage. The parrot, apparently angry with the usurper for daring to assume the character of its mistress, darted its beak through the wires and plucked out one of the interloper's eyes. From overwork or sympathy the other eye lost its sight. The lover's affection failed before the test of a blind sweetheart and he found a more fortunate lady.

This story was told me as a lesson in refraining from meddling with the possessions of other people. In combination with "Meddlesome Matty" in my school reader it led me to extreme care in avoiding too great familiarity with things that did not belong to me.

I was fascinated not only by the tragic story but by the click-clack of Miss Sophia's teeth falling out of place as she told it to me. She had purchased them by the sacrifice of her collection of gold dollars, the gifts of friends through many years. The extravagance and vanity of this purchase furnished another subject of dispute with "Miss Mary," who was a thrifty soul and pious as well.

"Sophia Wilson," she said, "if the Lord had intended you to have teeth all your life wouldn't He have given you a set that would have lasted to your dying day?"

Miss Sophia retorted with spirit:

"If He wanted me to go without teeth because the ones He made turned out badly, why do you suppose He put people into the world that were smart enough to make new ones? Just answer me that!"

The question being wholly unanswerable, the conversation lapsed.

I found relief from the depression produced by the tragic reminiscences confided to me by going out into the sunlight on the grass-carpeted lawn and walking under the pink and white canopy of the blossoming althea bushes, or Rose of Sharon, as the flowering plant was sometimes called. The negroes had named the althea the "toothbrush tree" because they broke twigs from it and chewed the ends of the tough fiber into brushes softer than the finest hair brush and used them for cleaning their teeth. "Miss Rose Sharon she first started it," they said. "She was a fairy and lived in the tree and the pink and white blossoms are the smile of her pretty face." I thought the fairy magic in the "tooth-brush tree" was what kept the teeth of the negroes so dazzlingly white, and we children always made our toothbrushes of the same material, hoping to achieve a like result.

On the plantation were some "Story Trees," or "Ghost Trees," as the negroes called them. On their trunks were patches of white and gray moss, like fragments of thin veils. Each of the splotches bore a warning or a legend brought by the spirits and written there. The trees were centuries old and held the ancient Bible stories recorded before the