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قراءة كتاب The Mirror of Literature, Amusement, and Instruction Volume 10, No. 269, August 18, 1827

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The Mirror of Literature, Amusement, and Instruction
Volume 10, No. 269, August 18, 1827

The Mirror of Literature, Amusement, and Instruction Volume 10, No. 269, August 18, 1827

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دار النشر: Project Gutenberg
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confined, close carriages as people do here, the Americans will rattle through the streets to their routs and parties in their houses. One tenanted brick building will be driven up to the door of another. A further improvement may here be suggested. Jonathan is fond of chairs with rockers, that is, chairs with a cradle-bottom, on which he see-saws himself as he smokes his pipe and fuddles his sublime faculties with liquor. Now by putting a house on rockers, this trouble and exertion of the individual on a scale so small and unworthy of a great people would be spared, and every tenant of a brick building would be rocked at the same time, and by one common piece of machinery. The effect of a whole city nid-nid-nodding after dinner, will be extremely magnificent and worthy of America. As for the feasibility of the thing, nothing can be more obvious. If houses can be put upon cradles for launching, they can be put upon cradles for rocking; and if tenants do not object to being conveyed from one part of the city to another in their mansions, they will not surely take fright at an agreeable stationary see-saw in them.—London Magazine.


GOOD NIGHT TO THE SEASON.

Thus runs the world away.—HAMLET.

Good-night to the Season! 'tis over!

Gay dwellings no longer are gay;

The courtier, the gambler, the lover,

Are scatter'd, like swallows, away:

There's nobody left to invite one,

Except my good uncle and spouse;

My mistress is bathing at Brighton,

My patron is sailing at Cowes:

For want of a better employment,

Till Ponto and Don can get out,

I'll cultivate rural enjoyment,

And angle immensely for trout.

Good-night to the Season!—the buildings

Enough to make Inigo sick;

The paintings, and plasterings, and gildings,

Of stucco, and marble, and brick;

The orders deliciously blended,

From love of effect, into one;

The club-houses only intended,

The palaces only begun;

The hell where the fiend, in his glory,

Sits staring at putty and stones,

And scrambles from story to story,

To rattle at midnight his bones.

Good-night to the Season!—the dances,

The fillings of hot little rooms,

The glancings of rapturous glances,

The fancyings of fancy costumes;

The pleasures which Fashion makes duties,

The praisings of fiddles and flutes,

The luxury of looking at beauties,

The tedium of talking to mutes;

The female diplomatists, planners

Of matches for Laura and Jane,

The ice of her Ladyship's manners,

The ice of his Lordship's champagne.

Good-night to the Season!—the rages

Led off by the chiefs of the throng,

The Lady Matilda's new pages,

The Lady Eliza's new song;

Miss Fennel's Macaw, which at Boodle's

Is held to have something to say;

Mrs. Splenetic's musical Poodles,

Which bark "Batti, batti!" all day:

The pony Sir Araby sported,

As hot and as black as a coal,

And the Lion his mother imported,

In bearskins and grease, from the Pole.

Good-night to the Season!—the Toso,

So very majestic and tall;

Miss Ayton, whose singing was so so,

And Pasta, divinest of all;

The labour in vain of the Ballet,

So sadly deficient in stars;

The foreigners thronging the Alley,

Exhaling the breath of cigars;

The "loge," where some heiress, how killing,

Environ'd with Exquisites sits,

The lovely one out of her drilling,

The silly ones out of their wits.

Good-night to the Season!—the splendour

That beam'd in the Spanish Bazaar,

Where I purchased—my heart was so tender—

A card-case,—a pasteboard guitar,—

A bottle of perfume,—a girdle,—

A lithograph'd Riego full-grown,

Whom Bigotry drew on a hurdle,

That artists might draw him on stone,—

A small panorama of Seville,—

A trap for demolishing flies,—

A caricature of the Devil,

And a look from Miss Sheridan's eyes.

Good-night to the Season!—the flowers

Of the grand horticultural fête,

When boudoirs were quitted for bowers,

And the fashion was not to be late;

When all who had money and leisure,

Grow rural o'er ices and wines,

All pleasantly toiling for pleasure,

All hungrily pining for pines,

And making of beautiful speeches,

And marring of beautiful shows,

And feeding on delicate peaches,

And treading on delicate toes.

Good night to the Season!—another

Will come with its trifles and toys,

And hurry away, like its brother,

In sunshine, and odour, and noise.

Will it come with a rose or a briar?

Will it come with a blessing or curse?

Will its bonnets be lower or higher?

Will its morals be better or worse?

Will it find me grown thinner or fatter,

Or fonder of wrong or of right.

Or married, or buried?—no matter,

Good-night to the season, Good-night!

New Monthly Magazine.


TIGER TAMING.

A party of gentlemen from Bombay, one day visiting the stupendous cavern temple of Elephanta, discovered a tiger's whelp in one of the obscure recesses of the edifice. Desirous of kidnapping the cub, without encountering the fury of its dam, they took it up hastily and cautiously, and retreated. Being left entirely at liberty, and extremely well fed, the tiger grew rapidly, appeared tame and fondling as a dog, and in every respect entirely domesticated. At length, when it had attained a vast size, and notwithstanding its apparent gentleness, began to inspire terror by its tremendous powers of doing mischief, a piece of raw meat, dripping with blood, fell in its way. It is to be observed, that, up to that moment, it had been studiously kept from raw animal food. The instant, however, it had dipped its tongue in blood, something like madness seemed to have seized upon the animal; a destructive principle, hitherto dormant, was awakened—it darted fiercely, and with glaring eyes, upon its prey—tore it with fury to pieces—and, growling and roaring in the most fearful manner, rushed off towards the jungles.—London Weekly Review.


RUNNING A MUCK.

The inhabitants of the Indian Archipelago, and particularly of the island of Java, are of a very sullen and revengeful disposition. When they consider themselves grossly insulted, they are observed to become suddenly thoughtful; they squat down upon the ground, and appear absorbed in meditation. While in this position, they revolve in their breasts the most bloody and ferocious projects of revenge, and, by a desperate effort, reconcile themselves with death. When their terrible resolution is taken, their eyes appear to flash fire, their countenance assumes an expression of preternatural fury; and springing suddenly on their feet, they unsheath their daggers, plunge them into the heart of every one within their reach, and

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