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قراءة كتاب Kimono

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‏اللغة: English
Kimono

Kimono

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دار النشر: Project Gutenberg
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have learnt to fix it to a day. But I am not going to compete with this undistinguished lavishness. I give you my picture to stand in your drawing-room as an artist puts his signature to a completed masterpiece, so that when you look around upon the furniture, the silver, the cut glass, the clocks, the engagement tablets, and the tantalus stands, the offerings of the rich whose names you have long ago forgotten, then you will confess to yourself in a burst of thankfulness to your fairy godmother that all this would never have been yours if it had not been for her!"

In a corner of the room and apart from the more ostentatious homage, stood on a small table a large market-basket, in which was lying a huge red fish, a roguish, rollicking mullet with a roving eye, all made out of a soft crinkly silk. In the basket beneath it were rolls and rolls of plain silk, red and white. This was an offering from the Japanese community in London, the conventional wedding present of every Japanese home from the richest to the poorest, varying only in size and splendour. On another small table lay a bundle of brown objects like prehistoric axe heads, bound round with red and white string, and vaguely odorous of bloater-paste. These were dried flesh of the fish called katsuobushi by the Japanese, whose absence also would have brought misfortune to the newly married. Behind them, on a little tray, stood a miniature landscape representing an aged pine-tree by the sea-shore and a little cottage with a couple of old, old people standing at its door, two exquisite little dolls dressed in rough, poor kimonos, brown and white. The old man holds a rake, and the old woman holds a broom. They have very kindly faces and white silken hair. Any Japanese would recognise them at once as the Old People of Takasago, the personification of the Perfect Marriage. They are staring with wonder and alarm at the Brandan sapphires, a monumental parure designed for the massive state of some Early-Victorian Lady Brandan.

Asako Fujinami had spent days rejoicing over the arrival of her presents, little interested in the identity of the givers but fascinated by the things themselves. She had taken hours to arrange them in harmonious groups. Then a new gift would arrive which would upset the balance, and she would have to begin all over again.

Besides this treasury in the dining-room, there were all her clothes, packed now for the honeymoon, a whole wardrobe of fairy-like disguises, wonderful gowns of all colours and shapes and materials. These, it is true, she had bought herself. She had always been surrounded by money; but it was only since she had lived with Lady Everington that she had begun to learn something about the thousand different ways of spending it, and all the lovely things for which it can be exchanged. So all her new things, whatever their source, seemed to her like presents, like unexpected enrichments. She had basked among her new acquisitions, silent as was her wont when she was happy, sunning herself in the warmth of her prosperity. Best of all, she never need wear kimonos again in public. Her fiancé had acceded to this, her most immediate wish. She could dress now like the girls around her. She would no longer be stared at like a curio in a shop window. Inquisitive fingers would no longer clutch at the long sleeves of, crinkled silk, or try to probe the secret of the huge butterfly bow on her back. She could step out fearlessly now like English women. She could give up the mincing walk and the timid manner which she felt was somehow inseparable from her native dress.

When she told her protectress that Geoffrey had consented to its abandonment, Lady Everington had heaved a sigh.

"Poor Kimono!" she said, "it has served you well. But I suppose a soldier is glad to put his uniform away when the fighting is over. Only, never forget the mysterious power of the uniform over the other sex."

Another day when her Ladyship had been in a bad mood, she had snapped,—

"Put those things away, child, and keep to your kimono. It is your natural plumage. In those borrowed plumes you look undistinguished and underfed."

* * * * *

The Japanese Ambassador to the Court of St. James proposed the health of the bride and bridegroom. Count Saito was a small, wise man, whom long sojourn in European countries had to some extent de-orientalised. His hair was grizzled, his face was seamed, and he had a peering way of gazing through his gold-rimmed spectacles with head thrust forward like a man half blind, which he certainly was not.

"Ladies and gentlemen," he said, "it is a great pleasure for me to be present on this occasion, for I think this wedding is a personal compliment to myself and to my work in this splendid country. Mr. and Mrs. Geoffrey Barrington are the living symbols of the Anglo-Japanese Alliance; and I hope they will always remember the responsibility resting on their shoulders. The bride and bridegroom of to-day must feel that the relations of Great Britain and Japan depend upon the perfect harmony of their married life. Ladies and gentlemen, let us drink long life and happiness to Mr. and Mrs. Geoffrey Barrington, to the Union Jack and to the Rising Sun!"

The toast, was drunk and three cheers were given, with an extra cheer for Mrs. Geoffrey. The husband, who was no hand at speechmaking, replied—and his good-natured voice was quite thick with emotion—that it was awfully good of them all to give his wife and himself such a ripping send-off, and awfully good of Sir George and Lady Everington especially, and awfully good of Count Saito; and that he was the happiest man in the world and the luckiest, and that his wife had told him to tell them all that she was the happiest woman, though he really did not see why she should be. Anyhow, he would do his best to give her a jolly good time. He thanked his friends for their good wishes and for their beautiful presents. They had had jolly good times together, and, in return for all their kindness, he and his wife wanted to wish them all a jolly good time.

So spoke Geoffrey Barrington; and at that moment many people present must have felt a pang of regret that this fine specimen of England's young manhood should marry an oriental. He was over six feet high. His broad shoulders seemed to stoop a little with the lazy strength of a good-tempered carnivore, of Una's lion, and his face, which was almost round, was set off by a mane of the real lion colour. He wore his moustache rather longer than was the fashion. It was a face which seemed ready to laugh at any moment—or else to yawn. For there was about the man's character and appearance something indolent and half-awakened and much of the schoolboy. Yet he was over thirty. But there is always a tendency for Army life to be merely a continuation of public-school existence. Eton merges into Sandhurst, and Sandhurst merges into the regiment. One's companions are all the time men of the same class and of the same ideas. The discipline is the same, the conventionality and the presiding fetish of Good and Bad Form. So many, generals are perennial school boys. They lose their freshness, that is all.

But Geoffrey Barrington had not lost his freshness. This was his great charm, for he certainly was not quick or witty. Lady Everington said that she kept him as a disinfectant to purify the atmosphere.

"This house," she declared, "sometimes gets over-scented with tuberoses. Then I open the window and let Geoffrey Barrington in!"

He was the only son of Lord Brandan and heir to that ancient but impoverished title. He had been brought up to the idea that he must marry a rich wife. He neither jibbed foolishly at the proposal, nor did he surrender lightly to any of the willing heiresses who threw themselves at his head. He accepted his destiny with

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