stroking his hair and his hand and then touching his underwear. It only lasted a minute and then he turned on his side away from him and his own instincts. It was an insignificant minute in one's life and he could not figure out why it became such evidence of the accuser that he was dirty-the charge of homosexuality not being directly stated. He asked himself why, even now, he was staring at moving forest and long stretches of road with this yearning for love. He opened another pint of milk. He sipped and then rested its opening to his bottom lip. Why did human beings end in such closure? Why did they gain worth and awareness of their being only in personal interactions? Was he nothing but the composite of other people's impressions of him? These impressions—these judgments— could not be real. They were based on brief outward gestures and the judges had nothing but their own usual experiences of their petty and selfish lives to compare others with. In Japan women who left their children locked up in hot cars were rarely accused of the crime of manslaughter; and in Korea the handicapped, he had seen, were left to crawl like worms, pushing their carts and singing their songs as traditional music blared forth. He died every time he saw one of them. He yearned for the love and the language where he could befriend someone who was handicapped and he chastised himself for only being able to lay money in some of their cans. Once he put his hand into the hair of such a man. He stroked the hair around his face. The gesture lasted only a couple seconds. The man screamed out something and a security guard began moving toward them. Sang Huin placed money in the can and went away. Then he began to question himself. Maybe it was loneliness that had compelled him to do that. After all, the action was undoubtedly bizarre in the sense that no one else did such things. He was not wearing a monk's robe. Another man's fate was none of his business. This type of action just was not done; and yet, he was not the same as others. Suffering the paralysis that would not allow him to make a full smile and finding the eyes x- rays that could go, for the most part, beyond pleasant countenances to a suffering innate in other beings, it was no wonder that he was peculiar. It was no wonder that at Christmas parties or barrooms he sat and drank in silence feeling like a buffoon for not acting like one. In ways he was a buffoon: his taciturn ways that thwarted the lighthearted frivolity of a world conceived out of motion was the substance that often caused contemptuous laughs.

What did it matter? What did any of his actions towards others matter? Everyone came and left him. He was dizzy on a merry-go-round.

"You must all eat," said Sung Ki as he poured water into the remaining rice in Sang Huin's bowl. He had heard it so many times. How they had carried on an affair with the sister staying there and the overnight visits of Sung Ki's father was a mystery.

They had met in the park in Umsong. Sang Huin was memorizing words in his textbook entitled Let's Speak Korean. Sung Ki spoke something to him in Korean. "Miguk Sarem imnidad" responded Sang Huin (I am an American). Sung Ki, accompanied by a high school friend, took him to eat kimbop (a Korean version of sushi). He spoke in English the entire time neglecting his school friend from the conversation. After visiting a couple museums, Sung Ki gave Sang Huin his beeper number. Sang Huin invited him to a Christmas party held for students at a language institute but stayed contained to his own students and his new friend, Sung Ki. That night they slept together; and the boy that had stroked Sang Huin's leg with his foot when they were eating kimbop wanted to hold hands while the two of them lay next to each other. Sung Ki, soon afterwards, began to plan out their time together. Sang Huin did what he requested: touring the Independence Museum; mountain climbing; free English lessons, and visits to his Buddhist temple and congregation. Soon Sang Huin was spending every night at Sung Ki's apartment and a month later their relationship was a sexual one.

Sang Huin thought about how Sung Ki cleaned the apartment by putting a wet towel under one of his bare feet and sliding across the floor with it; how he used to go into the bathroom with his newspaper and would not come out for over an hour; and that sentence he would always say, "you must all eat" meaning that every speck of rice left in the bowl should be mixed with hot water into a soup so that nothing was wasted. On the day that he learned that Sung Ki was going away he came to his apartment and asked if there was anything he could do or get him. There wasn't. He sat on the sofa, cold and pierced, as Sung Ki ignored him, cleaning one thing or another and then reading something or another. Sung Ki lit a cigarette and sat on a balcony that overlooked the mountains and rice patties of Umsong. After a few more moments of silence, Sang Huin went to him. His voice was shaky like a faltering foundation. He cried. It wasn't so much in reference to him as it was his sister. It was his first tears for her. It was in reference to non-ending perpetual loss. He knew that Sung Ki would construe it as solely for him. He felt embarrassed and the embarrassment increased as the two men hugged. Sung Ki began to cry. Sang Huin said, "I want to apologize. I'm sorry if I did something wrong. You wanted a girlfriend and my friendship and I made you have a boyfriend."

"It's okay. I liked the feeling then." That friendship had bit the dust.

Right before the bus came to a stop, he fell into a dream where there was a dust storm in Pyongyang. He ran through one dong (neighborhood) to another lost, looking for distinguishable signs, shapes in buildings, and widths of streets. Everything from the thin dust-sheathed roads to the hangul (Korean language) on the signs, looked as identical as the occasional mom and pop stores and it was all indistinguishable from what he saw minutes and hours earlier. He ran into no one since the streets were empty. Then he became careful of where he stepped. "The dust storm," he argued, "could have slid land mines up from the thirty eighth parallel." The more he thought about it the more nervous he became and the more hurried. When he became breathless, he sat on a rock and drank the last of his bottled water. The taste of sauerkraut and hot dogs was in his thoughts and the boiling, bubbling surge of his saliva but he would have eaten kimchee or someone's dog being as hungry as he was. It became fully dark and he would have known entire blackness were it not for the speckling of stars, the moon, and a fire at a distance. He walked over to the fire. He saw four whores seated around a bonfire. He recognized different buildings, and the curves of the street near a hard dirt tennis court. This was Ne Doc Dong. "Do you want me," said one, "or do you want another?" Sang Huin's face turned a bright red like it did with drinking a bottle of beer. He smiled and looked toward the sidewalk in his embarrassment. He said, "No, I wouldn't; but would you have a brother?"

When he arrived in Chongju from the desolation of what was in between Seoul and it, the population and activity of this small city recreated an insatiable yearning for Seoul, which to him was a storehouse of all extraordinary venues to the mind (encounters both sexual and cultural). Large buildings were like the small mountains of Umsong with a topping of cloud on a rainy day—monuments of beauty welcoming him to its domain that edified and exhilarated his appetites and his love. The mountains, until recently, transported his imagination to green blankets of waving rice, and from there to farmers' markets and rural parades celebrating the farmer, the daily appreciation of the faces he saw, and the monotonous sounds of "Hello" from children and high school students who knew of him. Those students always made him seem retarded when he couldn't communicate