The poor souls had crowded themselves out with relics of their past, a pathetic salvage, dragged hap-hazard from the wreck in the first frenzy of preservation. Dreadful things in marble and gilt and in papier-maché inlaid with mother-o'-pearl, rickety work tables with pouches underneath them, banner-screens in silk and footstools in Berlin wool-work fought with each other and with Juliana for standing-room. For Juliana, with her genius for collision, was always knocking up against them, always getting in their way. In return, Juliana's place at an oblique angle of the fireside was disputed by a truculent cabinet with bandy legs. There was a never-ending quarrel between Juliana and that piece of furniture, in which Mrs. Moon took the part of the furniture. Her own world had shrunk to a square yard between the window and the fire. There she sat and dreamed among her household gods, smiling now and then under the spell of the dream, or watched her companion with critical disapproval. She had accepted Juliana's devotion as a proper sacrifice to the gods; but for Juliana, or Louisa for the matter of that, she seemed to have but little affection. If anything Louisa was her favourite. Louisa was better company, to begin with; and Louisa, with her cleverness and her salary and her general air of indifference and prosperity, raised no questions. Besides, Louisa was married.

But Juliana, toiling from morning till night for her eighty pounds a year; Juliana, painful and persistent, growing into middle-age without a hope, Juliana was an incarnate reproach, a perpetual monument to the folly of Tollington Moon. Juliana disturbed her dream.

But nobody else disturbed it, for nobody ever came to their half of the house in Camden Street North. Louisa used to come and go in a brief perfunctory manner; but Louisa had married the Greek professor and gone away for good, and her friends at St. Sidwell's were not likely to waste their time in cultivating Juliana and Mrs. Moon. The thing had been tried by one or two of the younger teachers who went in for all-round self-development and were getting up the minor virtues. But they had met with no encouragement and they had ceased to come. Then nobody came; not even the doctor or the clergyman. The two ladies were of one mind on that point; it was convenient for them to ignore their trifling ailments, spiritual or bodily. And as soon as they saw that the world renounced them they adopted a lofty tone and said to each other that they had renounced the world. For they were proud, Mrs. Moon especially so. Tollington Moon had married slightly, ever so slightly beneath him, the Moons again marking a faint descent from the standing of the Quinceys. But the old lady had completely identified herself, not only with the Moons, but with the higher branch, which she always spoke of as "my family." In fact she had worn her connection with the Quinceys as a feather in her cap so long that the feather had grown, as it were, into an entire bird of paradise. And once a bird of paradise, always a bird of paradise, though it had turned on the world a somewhat dilapidated tail.

So the two lived on together; so they had always lived. Mrs. Moon was an old woman before she was five-and-fifty; and before she was five-and-twenty Juliana's youth had withered away in the sour and sordid atmosphere born of perishing gentility and acrid personal remark. And their household gods looked down on them, miniatures and silhouettes of Moons and Quinceys, calm and somewhat contemptuous presences. From the post of honour above the mantelshelf, Tollington, attired as an Early Victorian dandy, splendid in velvet waistcoat, scarf and chain-pin, leaned on a broken column symbolical of his fortunes, and smiled genially on the ruin he had made.

That was how Miss Quincey came to St. Sidwell's. And now she was five-and-forty; she had always been five-and-forty; that is to say, she had never been young, for to be young you must be happy. And this was so far an advantage, that when middle-age came on her she felt no difference.

CHAPTER III

Inaugural Addresses

It was evening, early in the winter term, and Miss Cursiter was giving her usual inaugural address to the staff. Their number had increased so considerably that the little class-room was packed to overflowing. Miss Cursiter stood in the free space at the end, facing six rows of eager faces arranged in the form of a horse-shoe. She looked upon them and smiled; she joyed with the joy of the creator who sees his idea incarnate before him.

A striking figure, Miss Cursiter. Tall, academic and austere; a keen eagle head crowned with a mass of iron-grey hair; grey-black eyes burning under a brow of ashen grey; an intelligence fervent with fire of the enthusiast, cold with the renunciant's frost. Such was Miss Cursiter. She was in splendid force to-day, grappling like an athlete with her enormous theme—"The Educational Advantages of General Culture." She delivered her address with an utterance rapid but distinct, keeping one eye on the reporter and the other on Miss Rhoda Vivian, M.A.

She might well look to Rhoda Vivian. If she had needed a foil for her own commanding personality, she had found it there. But the new Classical Mistress was something more than Miss Cursiter's complement. Nature, usually so economical, not to say parsimonious, seemed to have made her for her own delight, in a fit of reckless extravagance. She had given her a brilliant and efficient mind in a still more brilliant and efficient body, clothed her in all the colours of life; made her a creature of ardent and elemental beauty. Rhoda Vivian had brown hair with sparkles of gold in it and flakes of red fire; her eyes were liquid grey, the grey of water; her lips were full, and they pouted a little proudly; it was the pride of life. And she had other gifts which did not yet appear at St. Sidwell's. There was something about her still plastic and unformed; you could not say whether it was the youth of genius, or only the genius of youth. But at three-and-twenty she had chosen her path, and gone far on it, and it had been honours all the way. She went up and down at St. Sidwell's, adored and unadoring, kindling the fire of a secret worship. In any other place, with any other woman at the head of it, such a vivid individuality might have proved fatal to her progress. But Miss Cursiter was too original herself not to perceive the fine uses of originality. All her hopes for the future were centred in Rhoda Vivian. She looked below that brilliant surface and saw in her the ideal leader of young womanhood. Rhoda was a force that could strike fire from a stone; what she wanted she was certain to get; she seemed to compel work from the laziest and intelligence from the dullest by the mere word of her will. What was more, her nature was too large for vanity; she held her worshippers at arm's length and consecrated her power of personal seduction to strictly intellectual ends. At the end of her first term her position was second only to the Head. If Miss Cursiter was the will and intelligence of St. Sidwell's, Rhoda Vivian was its subtle poetry and its soul. And Miss Cursiter meant to keep her there; being a woman who made all sacrifices and demanded them.

So now, while Miss Cursiter stood explaining, ostensibly to the entire staff, the unique advantages of General Culture, it was to Rhoda Vivian as to a supreme audience that she addressed her deeper thought and her finer phrase. If Miss Cursiter had not had to consult her notes now and again, she must have seen that Rhoda Vivian's mind was wandering, that the Classical Mistress was if anything more interested in her companions than in the noble utterances of the Head. As her grey eyes swept the tiers of faces, they lingered on that corner where Miss Quincey seemed perpetually striving to suppress, consume, and utterly obliterate