the last; for people's best, front, spare chambers never suit me very well.

Billy's room was a snug little room, low in the walls, and papered with flowery paper. There were two windows, the curtains to which were made of paper like that on the walls. You had to roll them up with your hands, and tie them with a string that went over the top. The room was over the sink-room, and in going into it we stepped one step down. There was no carpet on the floor, excepting a strip by the bedside and a mat before the table. Grandmother said the table Billy and she made together, so the legs didn't stand quite true. It was covered with calico, and more calico was puckered on round the edge and came down to the floor. That was done, she said, to make a place for his boots and shoes. She thought 't was well for a boy to have a place for his things, even if he did always leave them somewhere else. There was nothing under the table but one rubber boot, with the rubber mostly cut off, and some pieces of new pine, easy to whittle, that Billy had picked up and stowed away there. A narrow looking-glass hung over the table. It had a queer picture at the top, of two Japanese figures. The glass had a little crack in one corner,—cracked by his ball bouncing up when he was trying it. Some green tissue-paper hung around this fracture with a very innocent, ornamental air. Not far from the glass I observed a rusty jack-knife stuck in the wall, close to the window-frame; and on its handle was hanging a string of birds'-eggs. In stepping up to examine these I stumbled against an old hair-covered trunk, quite a large one. The cover seemed a little askew, and not inclined to shut. This trunk was the color of a red cow, and for aught I know was covered with the skin of a red cow. In the middle of the cover the letters W. C. were printed in brass nails, which led me to guess that the trunk had belonged to William Henry's father. Grandmother raised the cover, to see what kept it from shutting, and found 't was a great scraggly piece of sassafras (saxifax) root, which lay on top.

There was everything in that trunk,—everything. Of course I don't mean meeting-houses, or steamboats, or anacondas; but everything a boy would be likely to have. I saw picture papers, leather straps, old pocket-books, a pair of dividers, the hull of a boat, a pair of boot-pullers, a chrysalis, several penholders, a large clam-shell, a few pocket combs,—comb parts gone,—fishing-lines, reels, bobs, sinkers, a bullet-mould, arrows, a bag of marbles, a china egg, a rule, hammers, a red comforter, two odd mittens, "that had lost the mates of 'em," a bird-call, a mask, an empty cologne-bottle, a dime novel, odd cards,—all these, and more, were visible by merely stirring the top layer a little. Also several tangles of twine, twining and intertwining among the mass. Grandmother shook up the things some,—by means of a handle which probably belonged to a hatchet, but the hatchet part was buried,—and I saw that the bottom was covered with marbles, dominos, nails, bottles, slate-pencils, bits of brass clock machinery, and all the innumerable nameless, shapeless things which would be likely to settle down to the bottom of a boy's trunk. Grandmother said she should set it to rights if it weren't for fish-hooks; but anybody's hands going in there would be likely to get fish-hooks stuck into them.

In one end of the trunk was quite a fanciful box. It was nothing but a common pine box, painted black, with "cut out" pictures pasted on it. There were ladies' faces, generals' heads, bugs, horses, butterflies, chairs, ships, birds, and in the centre of the cover, outside, there was a large red rose on its stalk. At the centre, inside, was a laughing, or rather a grinning face, cut from some comic magazine. In this box was kept some of his more precious treasures,—a little brass anchor, a silver pencil-case, a whole set of dominos, and a ball, very prettily worked, orange-peel pattern, in many colors. This was a present from his teacher. There was also a curious pearl-handled knife, with the blades broken short off. She said he never felt so badly about breaking any knife as when that got broken, for it was one his cousin brought him home from sea. He was keeping it to have new blades put in.

"How much this trunk reminds me of little Silas's bureau-drawer!" I said, taking up an old writing-book. As I spoke several bits of paper fell out and among them were some very funny pictures, done with a lead-pencil and then inked over.

"What are these?" I asked. "Does he draw?"

"Well—not exactly," she answered,—"nothing that can be called drawing. He tries sometimes to copy what he sees."

"I suppose I may look at them," I said, picking up one of the bits of paper. "Pray what is this?"

Grandmother put on her spectacles, and turned the paper round, as if trying to find the up and down of it.

"O, this is Uncle Jacob chasing the calf," said she; "those things that look like elbows are meant for his legs kicking up. And on this piece he's tried to make the old gobbler flying at Georgiana. You see the turkey is as big as she is. But maybe you don't know which the turkey is! That one is the fat man, and that one is the cat and kittens. And that one is a dandy, making a bow. He saw one over at the hotel that he took it from."

She was sitting by the bed, and as she named them, spread them out upon it, one by one, along with some others I have not mentioned, all very comical. When I had finished laughing over them I said,—

"I should like to send these pictures in my barrel. 'T would give the little sick contrabands something to laugh at."

"Well, I'll tell Billy when he comes," she answered, then gathered them up and smoothed the quilt again.

The bedstead was a low one, without any posts, except that each leg ended at the top with a little round, flat head or knob. The quilt was made of light and dark patchwork. Grandmother told me, lowering her voice, that Billy's mother made that patchwork when she was a little girl just learning to sew; but 't was kept laid away, and about the last work she ever did was to set it together. And 't was her request that Billy should have it on his bed. She said Billy was a very feeling boy, though he didn't say much. One time, a couple years ago, she hung that quilt out to blow, and forgot to take it in till after the dew began to fall, so, being a little damp, she put on another one. But next morning she looked in, and there 't was, over him, spread on all skewy!

"Sometimes I think," she added, "that boys have more feeling than we think for!"

"I know they have!" I answered.

A picture of William Henry's mother hung opposite the bed. It was not a very handsome face, nor a pretty face. But it had such an earnest, loving, wistful expression, that I could not help exclaiming, "Beautiful!"

"Yes, she was a beautiful woman. We all loved her. She was just like a daughter to me. Billy doesn't know what he's lost, and 't is well he don't. I try to be a mother to him; but they say," said the tender-hearted old lady,—"they say a grandmother isn't fit to have the bringing up of a child! Billy has his faults."

"Now if I were a child," I exclaimed, "I should rather you would have the bringing up of me than anybody I know of! And 't is my opinion, from what I hear, that you've done well by Billy. Of course boys