of mystery through which the Nile rolls its waves, if the narrow brass band which still confined his dark locks, and the broken German which he composed most artistically for the occasion, had not vouched for his mystic descent. There were two other artists sitting a little further down the table; one a modest, silent, tall man, who took his craft in earnest, and meditated deeply how he might introduce a new feature in his far-famed performance, the Gigantic Cask; the other, the clown of the company, a round, odd-looking creature, who produced a new grimace at every glass which he drank with a new guest, and thus proved the immense stock of those valuable commodities which he owned, since this process of touching glasses occurred on an average every five minutes.

Mr. Casper Schmenckel, director, etc., had been a fine-looking man until the abundance of his potations had injured the fair symmetry of his person, and he loved to recall the many gallant adventures of which he had been the hero, and in which even great ladies, whose eyes had been well pleased with the gigantic proportions of the Hercules, played a prominent part. When Mr. Schmenckel had emptied his third glass he was apt to become eloquent about this heroic age of his life, and tonight he had already more than doubled the mysterious number which loosened the chaste seal on his lips. The young men who pressed around him glass in hand would have fared better, probably, as far as their morals were concerned, if they had not honored the Green Hat on that particular evening with their presence.

Mr. Schmenckel's fancy was exuberant, and where ordinary eyes saw but a number of midges dancing in the air, his rolling orbs beheld a host of elephants. He calculated with incredible boldness upon the credulity of his listeners; above all he endeavored to surround himself and the members of his company with a nimbus of adventurous glory. The accident on the great meadow, which had brought the madman and the Czika into contact with each other, was far too useful for such a purpose not to be fully employed by Mr. Schmenckel. It is true the gypsy and her child had joined his troop quite accidentally a few days ago, as they were making their way across the mountains towards Fichtenau, and Mr. Schmenckel knew as little of their former history as any one in the company; but his imagination was only the more perfectly free to rove at random, and he invented a magnificent story in order to satisfy the curiosity of the guests, who continually came back to the beautiful child and the gypsy woman who had appeared as a dancer in the first part of the performance.

"Yes, you see," said Director Schmenckel, "that is a very mysterious story, and I should be quite ready to tell you all about it, but it is so very incredible."

Mr. Schmenckel dived with his red nose into his beer and slowly absorbed the remaining half, while his eyes twinkled with delight as he looked by turns through the swollen lids at one and the other of his friends.

"Tell us, tell us, Director!" cried half a dozen voices.

"Another bumper for the Director!" cried another half dozen.

"It may be about ten or twelve years," began Mr. Schmenckel, after having diminished the contents of the new glass to a considerable extent, "when I was making a trip to Egypt----"

When he said Egypt all eyes turned to Mr. John Cotterby, who leaned back in his chair and smiled mysteriously.

"What were you going to do in Egypt?" asked a voice.

"May I tell, Mr. Cotterby?" asked Mr. Schmenckel.

"Fideremkankinsavalilaloramei," replied the Egyptian, who could not imagine what his lord and master wanted to be allowed to tell.

"Thanks, Cotterby," said Mr. Schmenckel, "modesty adorns a man, but why should I conceal it that it was on your account I was making that journey? You must know, gentlemen, that the fame of Mr. Cotterby was in those days filling the whole Orient, and that nobody spoke of anything but the Flying Pigeon. I said to myself: You must induce this man, the greatest artist whom the world ever saw, to join your company, as sure as your name is Caspar Schmenckel. No sooner said than done. I went to Egypt, where I was told Mr. Cotterby was then residing, but Mr. Cotterby was nowhere to be found. At last I learnt from an old Dervish who had sold me the talking serpent, which I shall have the honor of exhibiting to-morrow, that Mr. Cotterby was staying somewhere far away in the desert near the pyramids. May I tell why you did so, Cotterby?"

"Framtebaramta! Tell what you wish to tell," replied the Egyptian, with a generous, modest smile.

"Mr. Cotterby, you must know, had retired for some time into the desert, and sworn a fearful oath that he would not again appear in public till he had ascended every one of the pyramids on a rope."

"What are those pyramids?" inquired a voice.

"Pyramids!" said Mr. Schmenckel, dictatorially, "are immense heaps of stone, which the old Egyptians raised in honor of their gods, a thousand feet high, or more, and so steep that a cat can hardly get to the top. On the top there is a pointed stone pillar, called obelisk; to this Mr. Cotterby fastened one end of a rope, while the lower end was held by two thousand black slaves of his, and thus he walked up and down, so that those who saw it felt their hair stand on an end. That was the way I found Mr. Cotterby engaged in the desert, and of course I became more anxious than ever to engage him for our company; but he refused. What was I to do? I had nothing left but to climb at night to the top of the pyramid at the risk of my life, and next morning, when Mr. Cotterby arrived there, to seize him around the waist and to cry: Either you consent to an engagement for three thousand a year, or I send you head over heels down this pyramid, as sure as my name is Caspar Schmenckel. May I tell what you replied, Cotterby?"

The Egyptian nodded assent.

"If you are Mr. Schmenckel from Vienna," said Mr. Cotterby, "you need not have made such an ado about it. I should have come to you any way to Vienna, as soon as I had done with this pyramid. There is only one Schmenckel, as there is only one Cotterby; both ought to be together, like bread and butter. But that was not exactly what I was going to tell you, gentlemen," said Mr. Schmenckel, emptying his glass and holding it up to the light, as if he wished to convince himself that there was really nothing left in it.

"A glass for Director Schmenckel," cried a dozen voices.

"Thanks! thanks! gentlemen! Your health!--but how I made the acquaintance of Madame Xenobia--or Kussuk Arnem, as her true name is. But that story is almost still more incredible, and contains certain episodes which I can only touch upon in the way of delicate allusions----"

"Oh, never mind! Just go on and tell us!" exclaimed the listeners, crowding more closely around him.

"Well, then, I will tell you! A short time after I had thus secured Mr. Cotterby for my company, I was giving a few representations at Constantinople on the great square before the Sultan's palace. He took uncommon interest in our art, and had given us permission to fasten our rope to the uppermost turret of his palace, upon the flat roof itself. Now, you must know that the upper story of this palace contains the rooms of the wives of the Sultan, and on that account it is called the harem. I had always felt the most intense desire to make my way some time or other into such an harem, which otherwise is utterly inaccessible to everybody. And now Cotterby had told me that whenever he came by the top story the most beautiful black eyes in the world were glancing at him through the narrow crevices between the planks, which are nailed over the