want me to. He seemed annoyed all of a sudden, and his manner changed. He asked why I had come if I felt that way, and I began to see how silly it looked to him, for of course he didn't know I was a reporter getting a story on investments for women. I didn't know what to say or what to do about the money, either, for Mr. Hurd hadn't told me how to meet any offer of that kind.

While I was thinking and hesitating Mr. Drake sat still and looked at me queerly; the blue sparks in his eyes actually seemed to shoot out at me. They frightened me a little; and, without stopping to think any more, I said I was very grateful to him and that I would bring the money to his office the next day. Then I stood up and he stood up, too; and I gave him my hand and told him he was the kindest man I had met in New York—and the next minute I was gasping and struggling and pushing him away with all my strength, and he stumbled and went backward into his big chair, knocking over an inkstand full of ink, which crawled to the edge of his desk in little black streams and fell on his gray clothes.

For a minute he sat staring straight ahead of him and let them fall. Then he brushed his hand across his head and picked up the inkstand and soaked up the ink with a blotter, and finally turned and looked at me. I stared back at him as if I were in a nightmare. I was opposite him and against the wall, with my back to it, and for a moment I couldn't move. But now I began to creep toward the door, with my eyes on him. I felt some way that I dared not take them off. As I moved he got up; he was much nearer the door than I was, and, though I sprang for it, he reached it first and stood there quietly, holding the knob in his hand. Neither of us had uttered a sound; but now he spoke, and his voice was very low and steady.

"Wait a minute," he said. "I want to tell you something you need to know. Then you may go." And he added, grimly, "Straighten your hat!"

I put up my hands and straightened it. Still I did not take my eyes off his. His eyes seemed like those of Yawkins and the great snake in my dreams, but as I looked into them they fell.

"For God's sake, child," he said, irritably, "don't look at me as if I were an anaconda! Don't you know it was all a trick?" He came up closer to me and gave me his next words eye to eye and very slowly, as if to force me to listen and believe.

"I did that, Miss Iverson," he said, "to show you what happens to beautiful girls in New York when they go into men's offices asking for advice about money. Some one had to do it. I thought the lesson might come better from me than from a younger man."

His words came to me from some place far away. A bit of my bit of Greek came, too—something about Homeric laughter. Then next instant I went to pieces and crumpled up in the big chair, and when he tried to help me I wouldn't let him come near me. But little by little, when I could speak, I told him what I thought of him and men like him, and of what I had gone through since I came to New York, and of how he had made me feel degraded and unclean for ever. At first he listened without a word; then he began to ask a few questions.

"So you don't believe me," he said once. "That's too bad. I ought to have thought of that."

He even wrung from me at last the thing that was worst of all—the thing I had not dared to tell Mrs. Hoppen—the thing I had sworn to myself no one should ever know—the deep-down, paralyzing fear that there must be something wrong in me that brought these things upon me, that perhaps I, too, was to blame. That seemed to stir him in a queer fashion. He put out his hand as if to push the idea away.

"No," he said, emphatically. "No, no! Never think that." He went on more quietly. "That's not it. It's only that you're a lamb among the wolves."

He seemed to forget me, then to remember me again. "But remember this, child," he went on. "Some men are bad clear through; some are only half bad. Some aren't wolves at all; they'll help to keep you from the others. Don't you get to thinking that every mother's son runs in the pack; and don't forget that it's mighty hard for any of us to believe that you're as unsophisticated as you seem. You'll learn how to handle wolves. That's a woman's primer lesson in life. And in the mean time here's something to comfort you: Though you don't know it, you have a talisman. You've got something in your eyes that will never let them come too close. Now good-by."

It was six o'clock when I got back to the Searchlight office. I had gone down to the Battery to let the clean sea-air sweep over me. I had dropped into a little chapel, too, and when I came out the world had righted itself again and I could look my fellow human beings in the eyes. Even Mr. Drake had said my experience was not my fault and that I had a talisman. I knew now what the talisman was.

Mr. Hurd, still bunched over his desk, was drinking a bottle of ginger-ale and eating a sandwich when I entered. Morris, at his desk, was editing copy. The outer pen, where the rest of us sat, was deserted by every one except Gibson, who was so busy that he did not look up.

"Got your story?" asked Hurd, looking straight at me for the third time since I had taken my place on his staff. He spoke with his mouth full. "Hello," he added. "What's the matter with your eyes?"

I sat down by his desk and told him. The sandwich dropped from his fingers. His young-old, dimpled face turned white with anger. He waited without a word until I had finished.

"By God, I'll make him sweat for that!" he hissed. "I'll show him up! The old hypocrite! The whited sepulcher! I'll make this town ring with that story. I'll make it too hot to hold him!"

Morris got up, crossed to us, and stood beside him, looking down at him. The bunches on his jaw-bones were very large.

"What's the use of talking like that, Hurd?" he asked, quietly. "You know perfectly well you won't print that story. You don't dare. And you know that you're as much to blame as Drake is for what's happened. When you sent Miss Iverson out on that assignment you knew just what was coming to her."

Hurd's face went purple. "I didn't," he protested, furiously. "I swear I didn't. I thought she'd be able to get to them because she's so pretty. But that's as far as my mind worked on it." He turned to me. "You believe me, don't you?" he asked, gently. "Please say you do."

I nodded.

"Then it's all right," he said. "And I promise you one thing now: I'll never put you up against a proposition like that again."

He picked up his sandwich and dropped the matter from his mind. Morris stood still a minute longer, started to speak, stopped, and at last brought out what he had to say.

"And you won't think every man you meet is a beast, will you, Miss Iverson?" he asked.

I shook my head. I didn't seem to be able to say much. But it seemed queer that both he and Mr. Drake had said almost the same thing.

"Because," said Morris, "in his heart, you know, every man wants to be decent."

I filed that idea for future reference, as librarians say. Then I asked them the question I had been asking myself for hours. "Do you think Mr. Drake really was teaching me a—a terrible lesson?" I stammered.

The two men exchanged a look. Each seemed to wait for the other to speak. It was Gibson who answered me. He had opened the door, and was watching us with no sign of his usual wide and cheerful grin.

"The way you tell it," he said, "it's a toss-up. But I'll tell you how it strikes me. Just to be on the safe side, and whether he lied to you or not, I'd like to give Henry F. Drake the all-firedest licking he ever