THE LIFE OF LUDWIG VAN BEETHOVEN
VOLUME I

LUDWIG VAN BEETHOVEN

After the Bust by Franz Klein
1812

The Life of
Ludwig van Beethoven

By Alexander Wheelock Thayer

Edited, revised and amended from the original English manuscript and the German editions of Hermann Deiters and Hugo Riemann, concluded, and all the documents newly translated

By
Henry Edward Krehbiel

Volume I

Published by
The Beethoven Association
New York

SECOND PRINTING

Copyright, 1921,
By Henry Edward Krehbiel

From the press of G. Schirmer, Inc., New York
Printed in the U. S. A.

in profound reverence this work
is dedicated by the editor
To the Memory of
Alexander Wheelock Thayer and Dr. Hermann Deiters
also in grateful appreciation
to
THE BEETHOVEN ASSOCIATION
and with a large measure of gratitude and affection
to his friend and colleague
RICHARD ALDRICH

Introduction

If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author.

Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.

In many details the story of Beethoven’s life as told here will be new to English and American readers; in a few cases the details will be new to the world, for the English edition of Thayer’s biography is not a translation of the German work but a presentation of the original manuscript, so far as the discoveries made after the writing did not mar its integrity, supplemented by the knowledge acquired since the publication of the first German edition, and placed at the service of the present editor by the German revisers of the second edition. The editor of this English edition was not only in communication with Mr. Thayer during the last ten years of his life, but was also associated to some extent with his continuator and translator, Dr. Deiters. Not only the fruits of the labors of the German editors but the original manuscript of Thayer and the mass of material which he accumulated came into the hands of this writer, and they form the foundation on which the English “Thayer’s Beethoven” rests. The work is a vastly different one from that which Thayer dreamed of when he first conceived the idea of bringing order and consistency into the fragmentary and highly colored accounts of the composer’s life upon which he fed his mind and fancy as a student at college; but it is, even in that part of the story which he did not write, true to the conception of what Beethoven’s biography should be. Knowledge of the composer’s life has greatly increased since the time when Thayer set out upon his task. The first publication of some of the results of his investigations in his “Chronologisches Verzeichniss” in 1865, and the first volume of the biography which appeared a year later, stirred the critical historians into activity throughout Europe. For them he had opened up a hundred avenues of research, pointed out a hundred subjects for special study. At once collectors of autographs brought forth their treasures, old men opened up the books of their memories, librarians gave eager searchers access to their shelves, churches produced their archives, and hieroglyphic sketches which had been scattered all over Europe were deciphered by scholars and yielded up