array
Of sabres, of Krupps, and of lances;
An Englishman punts with his pay,
And glory the jeton of France is;
Your artists, or Whistlers or Vances,
Have voices or colours to bet;
Will you moan that its motion askance is—
The wheel of Dame Fortune's roulette?

ENVOY.

The prize that the pleasure enhances?
The prize is—at last to forget
The changes, the chops, and the chances—
The wheel of Dame Fortune's roulette.

BALLADE OF FRÈRE LUBIN.


(Clement Marot's Frère Lubin, though translated by Longfellow and others,
has not hitherto been rendered Into the original measure, of ballade à double
refrain.)


Some ten or twenty times a day,
To bustle to the town with speed,
To dabble in what dirt he may,—
Le Frère Lubin's the man you need!
But any sober life to lead
Upon an exemplary plan,
Requires a Christian indeed,—
Le Frère Lubin is not the man!

Another's "pile" on his to lay,
With all the craft of guile and greed,
To leave you bare of pence or pay,—
Le Frère Lubin's the man you need!
But watch him with the closest heed,
And dun him with what force you can,—
He 'll not refund, howe'er you plead—
Le Frère Lubin is not the man!

An honest girl to lead astray,
With subtle saw and promised mead,
Requires no cunning crone and grey,—
Le Frère Lubin's the man you need!
He preaches an ascetic creed,
But,—try him with the water can—
A dog will drink, whate'er his breed,—
Le Frère Lubin is not the man!

ENVOY.

In good to fail, in ill succeed,
Le Frère Lubin's the man you need!
In honest works to lead the van,
Le Frère Lubin is not the man!

BALLADE OF QUEEN ANNE.


The modish Airs,
The Tansey Brew,
The Swains and Fairs
In curtained Pew;
Nymphs KNELLER drew,
Books BENTLEY read,—
Who knows them, who?
QUEEN ANNE is dead!

We buy her Chairs,
Her China blue,
Her red-brick Squares
We build anew;
But ah! we rue,
When all is said,
The tale o'er-true,
QUEEN ANNE is dead!

Now Bulls and Bears,.
A ruffling Crew,
With Stocks and Shares,
With Turk and Jew,
Go bubbling through
The Town ill-bred:
The World's askew,
QUEEN ANNE is dead!

ENVOY.

Friend, praise the new;
The old is fled:
Vivat FROU-FROU!
QUEEN ANNE is dead!

BALLADE OF A PRIMITIVE MAN.


TO J. A. FARRER.


He lived in a cave by the seas,
He lived upon oysters and foes,
But his list of forbidden degrees,
An extensive morality shows;
Geological evidence goes
To prove he had never a pan,
But he shaved with a shell when he chose,—
'T was the manner of Primitive Man.

He worshipp'd the rain and the breeze,
He worshipp'd the river that flows,
And the Dawn, and the Moon, and the trees,
And bogies, and serpents, and crows;
He buried his dead with their toes
Tucked-up, an original plan,
Till their knees came right under their nose,—
'T was the manner of Primitive Man.

His communal wives, at his ease,
He would curb with occasional blows;
Or his State had a queen, like the bees
(As another philosopher trows):
When he spoke, it was never in prose,
But he sang in a strain that would scan,
For (to doubt it, perchance, were morose)
'T was the manner of Primitive Man!

ENVOY.

MAX, proudly your Aryans pose,
But their rigs they undoubtedly ran,
For, as every Darwinian knows,
'T was the manner of Primitive Man!

BALLADE OF SLEEP.


"Of all Gods, Sleep is dearest to the Muses."—Pausanias.


The hours are passing slow,
I hear their weary tread
Clang from the tower, and go
Back to their kinsfolk dead.
Sleep! death's twin brother dread!
Why dost thou scorn me so?
The wind's voice overhead
Long wakeful here I know,
And music from the steep
Where waters fall and flow.
Wilt thou not hear me, Sleep?

All sounds that might bestow
Rest on the fever'd bed,
All slumb'rous sounds and low
Are mingled here and wed,
And bring no drowsihed.
Shy dreams flit to and fro
With shadowy hair dispread;
With wistful eyes that glow,
And silent robes that sweep.
Thou wilt not hear me; no?
Wilt thou not hear me, Sleep?

What cause hast thou to show
Of sacrifice unsped?
Of all thy slaves below
I most have laboured
With service sung and said;
Have cull'd such buds as blow,
Soft poppies white and red,
Where thy still gardens grow,
And Lethe's waters weep.
Why, then, art thou my foe?
Wilt thou not hear me, Sleep?

ENVOY.

Prince, ere the dark be shred
By golden shafts, ere low
And long the shadows creep:
Lord of the wand of lead,
Soft-footed as the snow,
Wilt thou not hear me, Sleep?

BALLADE OF CLEOPATRA'S NEEDLE.


Ye ghosts of gods Egyptian,
Ye giant shades of RA and TUM,
If murmurs of our planet come
To exiles in the precincts wan
Where, fetish or Olympian,
To help or harm no more ye list,
Look down, if look ye may, and scan
This monument in London mist!

Behold, the hieroglyphs are dumb
That once were read of him that ran
When seistron, cymbal, trump, and drum
Wild music of the Bull began;
When through the chanting priestly clan
Walk'd Ramses, and the high sun kiss'd
This stone, with blessing scored and ban—
This monument in London mist.

The stone endures though gods be numb;
Though human effort, plot, and plan
Be sifted, drifted, like the sum
Of sands in wastes Arabian.
What king may deem him more than man,
What priest says Faith can Time resist
While this endures to mark their span—
This monument in London mist?

ENVOY.

Prince, the stone's shade on your divan
Falls; it is longer than ye wist:
It preaches, as Time's gnomon can,
This monument in London mist!

BALLADE OF TRUE WISDOM.


While others are asking for beauty or fame,
Or praying to know that for which they should pray,
Or courting Queen Venus, that affable dame,
Or chasing the Muses the weary and grey,
The sage has found out a more excellent way—
To Pan and to Pallas his incense he showers,
And his humble petition puts up day by day,
For a house full of books, and a garden of flowers.

Inventors may bow to the God that is lame,
And crave from the fire on his stithy a ray;
Philosophers kneel to the God without name,
Like the people of Athens, agnostics are they;
The hunter a fawn to Diana will slay,
The maiden wild roses will wreathe for the Hours;
But the wise man will ask, ere libation he pay,
For a house full of books, and a garden of flowers.

Oh! grant me a life