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A History of American Literature

A History of American Literature

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دار النشر: Project Gutenberg
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Transcriber’s Note

Please see the transcriber’s notes at the end of this text for a more complete account of any other textual issues and their resolution.

There are three chronological graphs at pages 90, 413, and 486, which are reproduced here as images. The content of each is transcribed and included at the end of the text, and is accessible using a link under the caption of each chart as Transcription.

A HISTORY OF AMERICAN
LITERATURE

BY

PERCY H. BOYNTON

THE UNIVERSITY OF CHICAGO

AUTHOR OF “PRINCIPLES OF COMPOSITION,” “LONDON IN ENGLISH LITERATURE,” EDITOR OF “AMERICAN POETRY”

GINN AND COMPANY

BOSTON · NEW YORK · CHICAGO · LONDON
ATLANTA · DALLAS · COLUMBUS · SAN FRANCISCO

COPYRIGHT, 1919, BY PERCY H. BOYNTON
ENTERED AT STATIONERS’ HALL
ALL RIGHTS RESERVED
419.11

The Athenæum Press
GINN AND COMPANY · PROPRIETORS ·
BOSTON · U.S.A.


PREFACE

The general purpose in the preparation of this book has been to eliminate negligible detail and to subordinate or omit authors of minor importance in order to stress the men and the movements that are most significant in American intellectual history. The book has therefore been written with a view to showing the drift of American thought as illustrated by major writers or groups and as revealed by a careful study of one or two cardinal works by each. In this sequence of thought the growth of American self-consciousness and the changing ideals of American patriotism have been kept in mind throughout. The attempt is made to induce study of representative classics and extensive reading of the American literature which illuminates the past of the country—chiefly, of course, in reminiscent fiction, drama, and poetry.

As an aid to the student, there are appended to each chapter (except the last three) topics and problems for study, and book lists which summarize the output of each man, indicate available editions, and point to the critical material which may be used as a supplement, but not as a substitute, for first-hand study. This critical material has been selected with a view, also, to suggesting books which might reasonably be included in libraries of normal schools and colleges, as well as in universities.

As further aids to the student, there have been included two maps, three chronological charts, and, in an appendix, a brief characterization of the American periodicals which have been most significant in stimulating American authorship by providing a market for fiction, poetry, and the essay.

In the writing of the book the author’s chief obligation has naturally been to the many university classes who have stimulated its preparation, not only by their attention but by their free discussion. Special acknowledgment is gratefully made to Mr. William W. Ellsworth for a careful reading of all the manuscript and to Miss Marie Gulbransen for the initial work in formulating the appendix on the American magazines.

Acknowledgment is due to the publishers of The Nation and The New Republic for portions of the chapters on Crèvecœur, the Poetry of the Revolution, Emerson, Lowell, Whitman, Sill, and Miller, which originally appeared in these weeklies.

PERCY H. BOYNTON


CONTENTS

CHAPTER PAGE
I. The Seventeenth Century 1
II. The Earliest Verse 17
III. The Transition to the Eighteenth Century 27
IV. Jonathan Edwards and Benjamin Franklin 41
V. Crèvecœur, the “American Farmer” 59
VI. The Poetry of the Revolution and Philip Freneau 69
VII. The Early Drama 89
VIII. Charles Brockden Brown 100
IX. Irving and the Knickerbocker School 110
X. James Fenimore Cooper 141
XI. William Cullen Bryant 158
XII. Edgar Allan Poe 173
XIII. The Transcendentalists 190
XIV. Ralph Waldo Emerson 199
XV.

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