called Delos; and it is there still, just where it was fixed by Neptune for Latona.

Latona went and lived there, safe from Juno and Python. After a time she had two children, a son and a daughter. The son was named Apollo, and the daughter Diana.

Both were beautiful, but Apollo was the most beautiful boy ever born. He was a wonderful child in every way. The very instant he was born he made a bow and arrow, and went across the sea, and found Python, and killed him. When he was four years old, he built one of the wonders of the world—a great altar to the gods, made of the horns of the goats that his sister Diana used to hunt and shoot in the mountains. With two such children to help her, Latona no longer felt afraid of Juno. So she left Delos, and came, with her two children, into a country of Asia Minor, called Lydia.

Now there was a princess in Thebes named Niobe, who had fourteen beautiful children—seven daughters and seven sons. She was very fond and proud of them, and she did not like to hear people talking about Latona’s wonderful children. “What signifies a miserable couple of children, when I have fourteen?” she used to say. “I don’t think much of Latona”; and, in her jealousy, she never lost a chance of insulting the mother of Apollo and Diana.

Of course these insults came to Latona’s ears. Apollo and Diana heard of them too; and they resolved to punish the proud princess who insulted and scorned their mother. I scarcely like to tell you of how they punished Niobe, for I cannot think of anything more cruel.

Each of them took a bow and seven arrows. Apollo shot with his arrows all the seven sons of Niobe. Diana shot six of Niobe’s seven daughters, leaving only one alive. “There!” said they; “what signifies a miserable one child, when our mother has two?”

When poor Niobe saw her children killed before her she wept bitterly, and she could not stop her tears. They flowed on and on, until she cried herself into stone.

As for Apollo, he kept on growing handsomer and stronger until he became a god—the most glorious of all the gods in the sky. Jupiter made him the god of the Sun, and made his sister, Diana, goddess of the Moon. He was also the god of all beautiful and useful things: of music, painting, poetry, medicine. Several names were given to him. One of his names is “Phœbus,” which means bright and splendid like the sun. “Apollo” means “the Destroyer”: people must guess for themselves why he was called “the Destroyer.”

In pictures and statues he is always made graceful, beautiful, and young. He has no hair on his face, but wears long waving hair. Sometimes he carries a lyre—a sort of small harp—and sometimes a bow. Very often he wears a wreath of laurel. You must take a great deal of notice of Apollo, or Phœbus, because he is the most famous of all the gods next to Jupiter. It will help you to know him if you think of him as always beautiful, wise, and bright, but rather cruel and hard.

PART II.—THE FLAYED PIPER; OR, THE STORY OF MARSYAS.

THE men who filled the earth after the Great Flood were a great deal cleverer than people are now. A king’s son named Cadmus invented the alphabet—which is, perhaps, the most wonderful thing in the world. And when he wanted to build the city of Thebes, he got a great musician, named Amphion, to play to the stones and trees, so that they, by dancing to his tunes, built themselves into walls and houses without the help of any masons or carpenters. At last men became so wonderfully clever in everything, that a physician named Æsculapius, who was a son of Apollo, found out how to bring back dead people to life again.

But when Jupiter heard that Æsculapius had really made a dead man live, he was angry, and rather frightened too. For he thought, “If men know how to live forever, they will become as great and as wise as the gods, and who knows what will happen then?” So he ordered the Cyclopes to make him a thunderbolt, and he threw it down from heaven upon Æsculapius and killed him. No other man knew the secret of Æsculapius, and it died with him.

But Apollo was very fond and proud of his son, and was in a great rage with Jupiter for having killed him. He could not punish Jupiter, but he took his bow and arrows and shot all the Cyclopes who had made the thunderbolt.

Then it was Jupiter’s turn to be angry with Apollo for killing his servants, who had only done what they were told to do. He sentenced him to be banished from the sky for nine years.

So Apollo left the sky and came down to the earth, bringing with him nothing but his lyre. You know that Mount Olympus, where the gods live, is in Thessaly, so that Thessaly was the country in which Apollo found himself when he came down from the sky. He did not know what to do with himself for the nine years, so he went to a king of Thessaly named Admetus, who received him very kindly, and made him his shepherd. I don’t think Admetus could have known who Apollo was, or he would hardly have set the great god of the Sun to look after his sheep for him.

So Apollo spent his time pleasantly enough in watching the king’s sheep and in playing on his lyre.

Now there was a very clever but very conceited musician named Marsyas, who had invented the flute, and who played on it better than anybody in the world. One day Marsyas happened to be passing through Thessaly, when he saw a shepherd sitting by a brook watching his sheep, and playing to them very beautifully on a lyre. He went up to the shepherd, and said:—

“You play very nicely, my man. But nobody can do much with those harps and fiddles and trumpery stringed things. You should learn the flute; then you’d know what music means!”

“Indeed?” said Apollo. “I’m sorry, for your sake, that your ears are so hard to please. As for me, I don’t care for whistles and squeaking machines.”

“Ah!” said Marsyas, “that’s because you never heard Me!”

“And you dare to tell me,” said Apollo, “that you put a wretched squeaking flute before the lyre, which makes music for the gods in the sky?”

“And you dare to say,” said Marsyas, “that a miserable twanging, tinkling lyre is better than a flute? What an ignorant blockhead you must be!”

At last their wrangling about their instruments grew to quarreling; and then Apollo said:—

“We shall never settle the question in this way. We will go to the next village and give a concert. You shall play your flute and I will play my lyre, and the people shall say which is the best—yours or mine.”

“With all my heart,” said Marsyas. “I know what they will say. But we must have a wager on it. What shall it be?”

“We will bet our skins,” said Apollo. “If I lose, you shall skin me; and if you lose, I will skin you.”

“Agreed,” said Marsyas.

So they went to the next village, and called the people together to judge between the flute and the lyre.

Marsyas played first. He played a little simple tune on his flute so beautifully that everybody was charmed. But Apollo then played the same tune on his lyre, even more beautifully still.

Then Marsyas took his flute again and played all sorts of difficult things—flourishes, runs, shakes, everything you can think of—in the most amazing manner, till the people thought they had never heard anything so wonderful. And indeed never had such flute-playing been heard.

But Apollo, instead of following him in the same fashion, only played another simple tune—but