conspicuous for enterprise or originality, and if these exhibitions are to take the place of the kind of International Tournaments hitherto held, much improvement must be manifested, before they can be deemed worthy substitutes, even from a national point of view only.

Books on the openings in chess have continued fairly popular, but it is singular how very little novelty or originality has been imparted into them. Since Staunton and Wormald's works, and the German hand-books, the Modern Chess Instructor of Mr. Steinitz, 1889, was looked forward to with the greatest interest, and the second of the several volumes of which it was to consist, promised for September, 1890, is still awaited with anxious expectation. In regard to the practice of the game, the lack of national chess spirit, or organization, and the extraordinary denominating influence of the foreign element, is the remarkable and conspicuous characteristic, and the modest seat assigned to British Masters in the Retrospects of 1889 and 1890 (Times), will it is feared have to be placed yet further back.

The Chess Openings:
Considered Critically And Practically
By H. E. BIRD.

"This is the work of one of the most distinguished of English players. Since the death of Mr. Staunton nobody can more fairly claim to represent the national school of players than Mr. H. E. BIRD, who took part in the first International Tournament of 1851, and also played at Vienna in 1873, at Philadelphia, and recently at Paris. Perhaps his most brilliant performances have been in single matches, in two of which he made an equal score with Falkbeer, while, in 1867, when contending against Steinitz (fresh from his victory over Anderssen), he won six games against his opponent's seven, while seven others were drawn. Six years later Mr. BIRD once more proved his right to be considered second to none among English players, by defeating Mr. Wisker, the holder of the British Association Challenge Cup, after a protracted struggle. So far, therefore, as practical proficiency constitutes a claim to respect as a teacher of chess-theory, the author of `The Chess Openings' is in no need of an excuse for coming forward as an instructor. Mr. BIRD by no means confines himself to mere reproduction. He has the merit of having identified his name with several original variations, and of having revived several older defences, such as the Cunningham Gambit, with no small degree of success. The book has been evidently the result of painstaking and accurate analysis, and it may be confidently recommended to the more advanced players who have graduated in the beaten tracks of the 'Handbuch,' and are willing to follow in the steps of an able and original guide. In addition to the usual Appendix of problems, Mr. BIRD supplies a very useful and attractive feature in a series of end game positions from the most celebrated modern match-games. Owing to clear type and large diagrams, the volume will prove an agreeable companion when a board is out of reach."—Athenaeum, September 7th, 1880.

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Chess Masterpieces: Comprising—A Collection of 156 Choice Games of the past quarter of a century, with notes, including the finest Games in the Exhibition of 1851, and in the Vienna Tournament of 1873, with excellent specimens of the styles of Anderssen, Blackburne, Der Laza, Hanstein, Kolisch, Lowenthal, Morphy, Staunton, Steinitz, and the principal English Players. Supplemented by Games of La Bourdonnais, McDonnell and Cochrane, contested prior to 1849, Compiled by H. E. BIRD. Cloth, black lettered, 3/6; or, handsomely bound, gilt and gilt edges 4/-.

The entire series will be found full of interest and points of excellence, and can scarcely fail to afford amusement and pleasure, as well as to impart instruction, to all who may avail themselves of the opportunity of examining them, they will be of especial service to amateurs who aspire to preeminence in chess.

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Times, Biographical Notices, Illustrated Sporting and Dramatic, Pictorial World, American and Continental, Newcastle Chronicle, and Hereford Times.

Professor Ruskin (from 28 letters in all, since 1884). "Your games always delight me, as they seem in my humble judgment specimens of chess skill remarkable for originality and vivacity."—12th June, 1884.

"Indeed I feel that you have done more for chess at home and abroad than any other living player."—16th April, 1885.

"Your Catalogue is quite admirably drawn up, and if ever I can recover some peace of life and mind I hope to be of some use in furthering the sale of the book and recommending its views."—7th June, 1887.

H.R.H. PRINCE LEOPOLD, EARL DARTREY, SIR C. RUSSELL, LORD
RANDOLPH CHURCHILL, Etc., Etc., (also great Musicians, Amateur
Chess Players, letters and support.)

———

STEINITZ

As a player, analyst, critic and author. Considerations of his book on the openings. Notes on his general play, and conduct of the game, &c., are dealt with in review of Modern Chess Instructor.

Steinitz claims with justice to be very conscientious in the performance of his work at all times, and he had no need to excuse himself for the following criticism, which occupied him (he told me) months in its preparation. It seems to me that an author has reason to be obliged to any who may point out his real errors and shortcomings. Steinitz, however, was betrayed into a degree of unfairness and prejudice in dealing with Staunton and Wormald's books, and Morphy's play, bordering almost on imbecility. That the great artist himself is not infallible appears from my review of his Modern Chess Instructor.

STEINITZ'S REVIEW

The Field, December, 1879.

CHESS OPENINGS, 1879.

The Chess Opening, Considered Critically and Practically.
By H. E. Bird.
London: Dean & Son, 160, Fleet Street.

The public record of chess matches and great tournaments places the name of the author of this work above that of any living English competitor for chess honours, excepting Mr. Blackburne. It is therefore all the more disappointing to find that Mr. Bird's book has not done justice to his great reputation as a player. The author's chief defect as an analyst arises probably from one of his distinguishing qualities as a practitioner over the board. Few chess masters could excel Mr. Bird in rapid survey of position and in the formation and execution of surprising maneuvers, which, though not always sound—and sometimes, as he admits, even eccentric—tend to raise confusing complications, difficult for the adversary to disentangle at a quick rate. These qualities make Mr. Bird one of the most dangerous opponents in "skittle play," or in matches regulated by a fast time limit; but they prove almost antagonistic to the acquirement of excellency as an author on the game. For the first-class analyst is not merely expected to record results, but to judge the causes of success or failure from the strictly scientific point of view, and he has often to supplement with patient research the shortcomings of great masters in actual play. In such cases every move of a main variation becomes a problem which has to be studied for a great length of time; and the best authors have watched the progress of different openings in matches and tournaments for years, and pronounced their judgment only after the most careful comparisons, Mr. Bird is, however, too much of an advocate to be a good judge, and he evinces great partiality for ingenious traps and seductive combinations, which form an attractive feature of his own style in actual play, but which mostly occur only in light skirmishes. Moreover he often treats his duties as an analyst in a cavalier fashion.