them from Chaucer, Lydgate, Caxton, Barbiere and the Encyclopaediasts, and Pope writing just before knowledge of the Sanskrit became imparted among the learned, and ere the classical Sir William Jones had began to enlighten us, thought probably he had set the matter at rest by declaring that the invention of chess, (which we had and could enjoy without caring to know from whence it came) and which was an imperishable monument of the wisdom of its unknown founder, involved a problem which never would be solved.

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PROGRESS OF CHESS

It has been a subject of regret with writers that complete games of chess cannot be found for the earlier ages, and it has been suggested that a few well annotated games of the great Eastern players of one thousand years ago, and of the rival champions of Spain, Italy and Sicily in the Sixteenth century would be of more interest than all the problems and positions handed down to us in existence and, it certainly would be pleasing and instructive to be able to compare the styles Ali Suli, Adali, Lajlaj, Abbas and Razi, the great players of the Golden Age of Arabian Literature, and that of Ali Shatranji of Timur's Court and Ruy Lopez, Leonardo and Paolo Boi with those of Philidor and the leaders of the Nineteenth century.

The first half of the Nineteenth century witnessed the commencement of Press notice, and the growth of a literature for chess, and was distinguished by the number of works devoted to the play of the game, not half a score of books could be traced in England before Philidor's, besides which Caxton, 1474, dedicated to the Duke of Clarence, Rowbotham, 1561, to the Earl of Leicester, and Saul and Barbiere, 1617 and 1640, to Lucy, Countess of Bedford, which constitute the most noted works recorded, conveyed but little knowledge concerning the game, and were scarcely more than translations of foreign works from that of Jacobus de Cesso1us, 1290, and others, and were rather moralities and philosophical treatises than works of practical utility from a scientific point of view.

During the second half, the advance in the appreciation and practice of chess has been yet more astonishing as compared with the single club in St. James' Street, and the meeting place for chess players in St. Martin's Lane, which existed in Philidor's time, and the thirty clubs or so which had arisen by 1851, we have now at least five hundred, and as against the earliest chess columns in the Lancet, Bell's Life, and the Illustrated London News, we can specify near one hundred. It is among the middle and humbler classes that the spread of a taste for chess has been most apparent, with the fashionable or higher classes, so far as any manifestation of public interest or support is to be taken as a criterion, its appreciation has died out, and for twenty noble names among its patrons in Philidor's time, we cannot reckon one in ours. Another singular feature is the grave diminution in the recognized number of able exponents, commonly called Masters, which in the British list are reduced to less than a third of the well-known names of 1862. The support of chess, trifling as it is, comes from about a score of Her Majesty's subjects, and the total in a year does not now equal a sum very usual in a glove fight, or a Championship Billiard match, and the sums provided in a generation by our present machinery would not equal the value of one Al Mamun's musk balls or the rewards to Ruy Lopez for a single match.

The time allowed for consideration of the moves in chess, and the management of the clocks used to regulate such is a most important element in estimating the relative strength of chess players. So important, in fact, that pure chess, and chess with clocks is found by experience to be a very different thing with certain players. Bird finds the clocks more trouble than the chess, and as everybody knows is heavily handicapped by them, hence his force and success in ordinary play is far greater than in tournaments. Take the time limit alone for two players of equal reputation, who may not be disturbed or distracted by the clocks, a difference in the time limit of ten or even five moves an hour would in some cases turn the scale between them. Passing over the faster Bird; and other English players who prefer the slower rate take a very notable example, Steinitz and Zukertort. After the Criterion Great Tournament of 1883 opinions differed much as to which of these was the stronger player, but after the match at 15 moves an hour, in the United States, won by Steinitz with a score of 10 to 4, the palm has been generally awarded to Steinitz, and without any qualification whatever the term of champion of the chess world has been universally accorded to him and still continues to be so, notwithstanding the superior claims of Dr. Tarrasch based upon victory in three successive International Chess Tournaments, Breslan 1889, Manchester 1890, and Dresden in 1892, in the two first named not losing a single game, and in the last, one only, feats never accomplished by Steinitz.

Zukertort was undoubtedly a far more ready, and we have long thought a finer player than Steinitz, but skill was so nicely balanced between them that a very slight variation or acceleration in rate would have been in Zukertort's favour. At 25 moves an hour or at any faster rate it would have been odds on Zukertort, at 15 moves an hour or less it would have been safer to back Steinitz. Staunton, Kolisch, and Paulsen seem to have been the slowest of the players, 10 moves an hour would suit them better than 15, a 10 or 12 hour game with them was not uncommon. Bird is the fastest, and his best games have averaged 40 moves an hour or two or three hours for a game, a reasonable rate for recreationary chess.

In the last century one-and-a-half or two hours was considered a fair duration for a good game, 30 moves an hour would give three hours for a game of 45 moves or four for a game of 60 moves, and such could be finished at the usual sitting without adjournment.

The period dating from the France and England Championship Match between St. Amant and Staunton in 1843, to the Vienna Tournament of 1873, was singularly prolific in very great chess players. In addition to Anderssen 1851, and Morphy 1858, there appeared in the metropolis in 1862 Louis Paulsen, William Steinitz, and J. H. Blackburne, three players who, as well as Captain Mackenzie competed in the British Chess Association's Tournaments of that year, and were destined with Zukertort and Gunsberg of ten years later growth, to rank as conspicuously successful among even the score or so of the pre-eminently distinguished players of the highest class the world has ever produced, the Rev. G. A. MacDonnel1 and Barnes were of five and Boden of 12 years earlier reputation, all were competing in the 1862 contest, Buckle died in this year, and his opponent Bird had retired from chess, other pursuits entirely absorbing his time mostly abroad. He had been the hardest fighter and most active of the English combatants of 15 years before, and it was his fate about four years later, once more to become not the least prominent and interesting of the leading chess players.

Chess as now played with the Queen of present powers, imported into the game dates back about four centuries, to near the time when the works of the Spanish writers, Vicenz and Lucena, appeared in 1495, and shortly before that of Damiano the Portuguese in 1512. In 1561 Ruy Lopez, the Spanish priest of Cafra, a name familiar to the present generation, from one of the openings most approved in modern practice being named after him, wrote the best work of a scientific character which had appeared in Europe to that time, and he was considered in Spain the very best player in the world, until the memorable contests between him and Leonardo da Cutri, and Paolo Boi of Syracuse left the question of supremacy doubtful. These famous struggles are reverted to not without