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قراءة كتاب The Devil is an Ass
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THE DEVIL IS AN ASS
BY
BEN JONSON
Edited with Introduction, Notes, and Glossary
BY
WILLIAM SAVAGE JOHNSON, Ph.D.
Instructor in English in Yale University
A Thesis presented to
the Faculty of the Graduate School of Yale University
in Candidacy for the Degree of
Doctor of Philosophy

NEW YORK
HENRY HOLT AND COMPANY
1905
Copyright by William Savage Johnson, 1905
PRESS OF THE TUTTLE, MOREHOUSE & TAYLOR COMPANY
TO MY MOTHER
PREFACE
In The Devil is an Ass Jonson may be studied, first, as a student; secondly, as an observer. Separated by only two years from the preceding play, Bartholomew Fair, and by nine from the following, The Staple of News, the present play marks the close of an epoch in the poet’s life, the period of his vigorous maturity. Its relations with the plays of his earlier periods are therefore of especial interest.
The results of the present editor’s study of these and other literary connections are presented, partly in the Notes, and partly in the Introduction to this book. After the discussion of the purely technical problems in Sections A and B, the larger features are taken up in Section C, I and II. These involve a study of the author’s indebtedness to English, Italian, and classical sources, and especially to the early English drama; as well as of his own dramatic methods in previous plays. The more minute relations to contemporary dramatists and to his own former work, especially in regard to current words and phrases, are dealt with in the Notes.
As an observer, Jonson appears as a student of London, and a satirist of its manners and vices; and, in a broader way, as a critic of contemporary England. The life and aspect of London are treated, for the most part, in the Notes; the issues of state involved in Jonson’s satire are presented in historical discussions in Section C, III. Personal satire is treated in the division following.
I desire to express my sincere thanks to Professor Albert S. Cook for advice in matters of form and for inspiration in the work; to Professor Henry A. Beers for painstaking discussion of difficult questions; to Dr. De Winter for help and criticism; to Dr. John M. Berdan for the privilege of consulting his copy of the Folio; to Mr. Andrew Keogh and to Mr. Henry A. Gruener, for aid in bibliographical matters; and to Professor George L. Burr for the loan of books from the Cornell Library.
A portion of the expense of printing this book has been borne by the Modern Language Club of Yale University from funds placed at its disposal by the generosity of Mr. George E. Dimock of Elizabeth, New Jersey, a graduate of Yale in the Class of 1874.
Yale University,
August 30, 1905.
Introduction |
|
PAGE | |
A. Editions of the Text | xi |
B. Date and Presentation |
xvii |
C. The Devil is an Ass |
xix |
I. The Devil Plot |
xx |
1. The Devil in the pre-Shakespearian Drama | xxii |
2. Jonson’s Treatment of the Devil | xxiii |
3. The Influence of Robin Goodfellow and of Popular Legend | xxvi |
4. Friar Rush and Dekker | xxvii |
5. The Novella of Belfagor and the Comedy of Grim | xxx |
6. Summary | xxxiv |
7. The Figure of the Vice | xxxiv |
8. Jonson’s Use of the Vice | xxxvii |
II. The Satirical Drama |
xli |
1. General Treatment of the Plot | xli |
2. Chief Sources of the Plot | xlv |
3. Prototypes of the leading Characters | lii |
4. Minor Sources |