are women, with a husband to please and to govern. Their sex is frank and admitted: as women they know their place in the world and as women they seek a retiring modesty. Their very aloofness, their seclusion, gives them half their charm: and they know it. Not for them, for instance, the dismal methods of American schools, where mixed classes and a common play-ground rub away all the attraction of the sexes and make their growing pupils dully kin like brother and sister. In India women are so much valued and attain half their power because they are only occasionally seen and seldom met. It is the rarest flowers that are sought at the peril of life itself. It is for the women who live veiled and separated that men crave, captives of passion at a first quick-taken glance. A wife who is not the familiar companion of every walk or game, who is never seen through the long business hours—with what delight the husband, unjaded by the constant sight of women in street or office, seeks her at last in the inner apartments where she waits with smiles and flowers!

WATER-CARRIER FROM AHMEDABAD

How natural they are—true, that is, to the natural instincts and purposes of women, not without womanly artifice—is most apparent from a contrast. Their shyness, even their self-consciousness with men, is of a woman’s nature. Their love of jewelry, their little tricks of manner, why, the very way they stand are, after all, the natural derivatives of womanhood. Of motherhood they have no shame: they celebrate marriage and childbirth frankly with a fine candour. Their garments drape them in soft flowing lines falling in downward folds over the rounded contours of the body—draperies full of grace and restful. In Europe women still adhere to a deformity brought in by German barbarism in the dark ages. With curious appliances, they distort and misshape the middle of their bodies from quite early childhood till—the negation of all beauty—in place of a natural human figure appear two disjunct parts joined, as it were, mechanically by a tightened horizontal band. From their passive acceptance of routine, women will bear traditional deformity, in spite of illness and the constant weariness of nervous disorders. What is difficult to understand is that—with all their wish to please—they can endure its patent ugliness. Pleasing is the contrast of the Indian mantle, gracefully draped over head and shoulders and falling in vertical folds to the feet, and of the gaily-stitched and neat little fitting bodice of the Hindu lady. Her head with its smooth hair, decked with simple gold ornaments or fresh flowers, half covered by the silken veil, is well poised and beautiful.

She poses on it no twisted straws, dyed in metallic colours, no fantastic covering, hung with pieces of dead bird.

The step of the Indian woman walking is a thing of joy. It has in it nothing of the mincing awkward shuffle or of the disgracious manly stride. But at her best see her walking in the country villages, where her frame is trained to a graceful poise by the constant carriage of water-pots balanced on her head as she steps unshod down the dusty lanes or the sloping banks of the river.

SWEEPER

In the villages, indeed, it is round the well that woman’s life circles. Where the dry plains stretch away westward from Ahmedabad over land cast back by the sea, the walls of mud-built villages stand square against the blank horizon, where they were raised against the raids of Kathi or of Koli freebooters. Here in the hot spring months from March to July, before the grey rains turn the land to a sticky swamp, the sun from dawn to its setting beats savagely; on the sand. In these little townships, high-walled, with iron-studded gates, the women have to seek the well early. An hour before the day, before even the false dawn throws its silver flicker over the sky, they come from every quarter to the one great well which supplies the place. Oh! the early morning chatter which wakes one from his sleep! Ropes and buckets splash upon the water and pot rings against brass pot. They come in scores, of every caste and age, merchants’ wives and pretty noblesse, cultivators and labourers, old women, widows and mothers, and little naked children—how frail and tender their lines!—hardly able to stagger homewards under the load. With hurried prattle they talk of the night and the coming day, of the prices of the bazaar and the scandal of a wanton neighbour or the coming visit of a priest. The day dawns and the full white orb of the sun, white living heat like molten metal, rises suddenly into the level sky. The women finish drawing water as best they can and turn home. They walk straight, those women, two copper pots balancing easily on the head, another large pitcher lightly held against the hip, easily moving as they talk and smile. No wonder if a young man, idly, may sometimes stroll towards the well. For some there are who looking on these women of Káthiawád passing, with golden skins and full oval faces, must say to themselves, as said Solomon, “How fair and how pleasant art thou, O love, for delights: this thy stature is like to a palm-tree and thy breasts to clusters of grapes.”

Next to the well, it is at the temple that the life of a woman centres. For her every thought and act is moulded from childhood to the day of death by the present reality of religion. Her childhood is an adoration, marriage a sacrament, wifehood an oblation: in motherhood she finds at once sacrifice and worship: while life and death alike are a quest and a resignation. Life, as to herself she interprets it, is not so much action as a response to divine ordinance, receptive and submissive. She awaits love and may yield to joy: but she expects them as a handmaiden, humbly, without striving and without insistence. And the daily ritual in which her life of service finds its symbol is the scattering of flowers upon the images of God, the singing of His praises, and the circumambulation of His sacred shrine. At the temple she makes her humble vows, for a husband’s kindness or the supreme gift of childbirth. And there, from the fulness of her heart, she pours out thanksgiving for the blessings of her state. And if at the end perhaps she die childless and a widow, it is not singular if she leave her wealth to the further endowment of the temple and the greater glory of God Rama and his Sita, the divine pair of her worship.

The heroism of Indian womanhood has found its loftiest expression in the Rajput nobility, with the great Queens who have fought and been slain in battle or self-immolated on the funeral pyre: its piety is a transfiguration in the Brahman and the merchant class: and woman’s love with its transcendent ecstasy burns like a glowing ember on the hearth of every soul. But for devotion to labour, uninspired by any ideal other than its mere fulfilment, one turns to the menial castes that, from century to century, have lived closest to their own soil. Thus on the stony uplands of the Deccan, the women of the untouchable Mahars—descended probably from some once ruling race, long tragically overthrown—labour without respite in the hard fields at their husbands’ sides. But, furthermore, they bear and suckle children, cook the family food and do the work of their poor household. Ceaseless labour it is, done without bitterness, in a humble resignation. A rough life, yet not