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قراءة كتاب The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
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The German Classics of the Nineteenth and Twentieth Centuries, Volume 12
The Project Gutenberg EBook of The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12, by Various
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Title: The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12
Author: Various
Release Date: December 26, 2004 [EBook #14470]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK GERMAN CLASSICS, V12 ***
Produced by Stan Goodman and the Online Distributed Proofreading Team
VOLUME XII
GUSTAV FREYTAG THEODOR FONTANE
[Illustration: FREDERICK THE GREAT PLAYING THE FLUTE
From the Painting by Adolph von Menzel]
THE GERMAN CLASSICS OF THE NINETEENTH AND TWENTIETH CENTURY
Masterpieces of German Literature
TRANSLATED INTO ENGLISH
EDITOR-IN-CHIEF
KUNO FRANCKE, PH.D., LL.D., LITT.D.
Professor of the History of German Culture,
Emeritus, and Honorary Curator of the Germanic Museum,
Harvard University
ASSISTANT EDITOR-IN-CHIEF
WILLIAM GUILD HOWARD, A.M.
Professor of German, Harvard University
In Twenty Volumes Illustrated
ALBANY, N.Y.
J.B. LYON COMPANY
PUBLISHERS
Copyright 1914
CONTRIBUTORS AND TRANSLATORS
VOLUME XII
Special Writers
ERNEST F. HENDERSON, Ph.D., L.H.D., Author of The History of Germany in the Middle Ages; Short History of Germany, etc.: The Life of Gustav Freytag.
WILLIAM A. COOPER, A.M., Associate Professor of German, Leland
Stanford Junior University: The Life of Theodor Fontane.
Translators
ERNEST F. HENDERSON, Ph.D., L.H.D., Author of The History of Germany in the Middle Ages; Short History of Germany, etc.: The Journalists.
WILLIAM A. COOPER, A.M., Associate Professor of German, Leland
Stanford Junior University: Effi Briest; Extracts from "My Childhood
Days."
E.H. BABBITT, A.B., Assistant Professor of German, Tufts College:
Doctor Luther; Frederick the Great.
MARGARETE MÜNSTERBERG:
Sir Ribbeck of Ribbeck; The Bridge by the Tay.
CONTENTS OF VOLUME XII
GUSTAV FREYTAG
The Life of Gustav Freytag. By Ernest F. Henderson
The Journalists. Translated by Ernest F. Henderson
Doctor Luther. Translated by E.H. Babbitt
Frederick the Great. Translated by E.H. Babbitt
THEODOR FONTANE
The Life of Theodor Fontane. By William A. Cooper
Effi Briest. Translated by William A. Cooper
Extracts from "My Childhood Days." Translated by William A. Cooper
Sir Ribbeck of Ribbeck. Translated by Margarete Münsterberg
The Bridge by the Tay. Translated by Margarete Münsterberg
ILLUSTRATIONS—VOLUME XII
Frederick the Great Playing the Flute.
By Adolph von Menzel. Frontispiece
Gustav Freytag. By Stauffer-Bern
At the Concert. By Adolph von Menzel
Nature Enthusiasts. By Adolph von Menzel
On the Terrace. By Adolph von Menzel
In the Beergarden. By Adolph von Menzel
Lunch Buffet at Kissingen. By Adolph von Menzel
Luther Monument at Worms. By Ernst Rietschel
Frederick William I Inspecting a School. By Adolph von Menzel
Court Ball at Rheinsberg. By Adolph von Menzel
Frederick the Great and His Round Table. By Adolph von Menzel
Frederick the Great on a Pleasure Trip. By Adolph von Menzel
Theodor Fontane. By Hanns Fechner
Fontane Monument at Neu-Ruppin
A Sunday in the Garden of the Tuileries. By Adolph von Menzel
Divine Service in the Woods at Kösen. By Adolph von Menzel
A Street Scene at Paris. By Adolph von Menzel
Procession at Gastein. By Adolph von Menzel
High Altar at Salzburg. By Adolph von Menzel
Bathing Boys. By Adolph von Menzel
Frau von Schleinitz "At Home." By Adolph von Menzel
Supper at a Court Ball. By Adolph von Menzel
EDITOR'S NOTE
This volume, containing representative works by two of the foremost realists of midcentury German literature, Freytag and Fontane, brings, as an artistic parallel, selections from the work of the greatest realist of midcentury German painting: Adolph von Menzel.
KUNO FRANCKE.
THE LIFE OF GUSTAV FREYTAG
By ERNEST F. HENDERSON, PH.D., L.H.D.
Author of A History of Germany in the Middle Ages; A Short History of
Germany, etc.
It is difficult to assign to Gustav Freytag his exact niche in the hall of fame, because of his many-sidedness. He wrote one novel of which the statement has been made by an eminent French critic that no book in the German language, with the exception of the Bible, has enjoyed in its day so wide a circulation; he wrote one comedy which for years was more frequently played than any other on the German stage; he wrote a series of historical sketches—Pictures of the German Past he calls them—which hold a unique place in German literature, being as charming in style as they are sound in scholarship. Add to these a work on the principles of dramatic criticism that is referred to with respect by the very latest writers on the subject, an important biography, a second very successful novel, and a series of six historical romances that vary in interest, indeed, but that are a noble monument to his own nation and that, alone, would have made him famous.
As a novelist Freytag is often compared with Charles Dickens, largely on account of the humor that so frequently breaks forth from his pages. It is a different kind of humor, not so obstreperous, not so exaggerated, but it helps to lighten the whole in much the same way. One moment it is an incongruous simile, at another a bit of sly satire; now infinitely small things are spoken of as though they were great, and again we have the reverse.
It is in his famous comedy, The Journalists, which appeared in 1853, that Freytag displays his humor to its best advantage. Some of the situations themselves, without being farcical, are exceedingly amusing, as when