Mandeville's thought without heavy reliance on it, even when, as is the case here, there is disagreement with Kaye's interpretation of Mandeville's position.

It was Mandeville's central thesis, expressed by the motto, "Private Vices, Publick Benefits," of The Fable of the Bees, that the attainment of temporal prosperity has both as prerequisite and as inevitable consequence types of human behavior which fail to meet the requirements of Christian morality and therefore are "vices." He confined "the Name of Virtue to every Performance, by which Man, contrary to the impulse of Nature, should endeavour the Benefit of others, or the Conquest of his own Passions out of a Rational Ambition of being good."⁸ If "out of a Rational Ambition of being good" be understood to mean out of "charity" in its theological sense of conscious love of God, this definition of virtue is in strict conformity to Augustinian rigorism as expounded from the sixteenth century on by Calvinists and, in the Catholic Church, by Baius, Jansenius, the Jansenists, and others. Mandeville professes also the extreme rigorist doctrine that whatever is not virtue is vice: in Augustinian terms, aut caritas aut cupiditas. Man must therefore choose between temporal prosperity and virtue, and Mandeville insists, especially in the Letter to Dion, that on his part the choice is always of virtue:

Kaye concedes: that Mandeville's rigorism "was merely verbal and superficial, and that he would much regret it if the world were run according to rigoristic morality;" that "emotionally" and "practically, if not always theoretically," Mandeville chooses the "utilitarian" side of the dilemma between virtue and prosperity; and that "Mandeville's philosophy, indeed, forms a complete whole without the extraneous rigorism."¹⁰ Kaye nevertheless insists that Mandeville's rigorism was sincere, and that it is necessary so to accept it to understand him. It seems to me, on the contrary, that if Mandeville's rigorism were sincere, the whole satirical structure of his argument, its provocative tone, its obvious fun-making gusto, would be incomprehensible, and there would be manifest inconsistency between his satirical purposes and his procedures as a writer.

Kaye argues that rigorism was not so unusual as of itself to justify doubt as to its genuineness in the case of Mandeville; rigorism was "a contemporary point of view both popular and respected, a view-point not yet extinct." To show that rigorism was "the respectable orthodox position for both Catholics and Protestants," Kaya cites as rigorists, in addition to Bayle, St. Augustine, Luther, Calvin, Daniel Dyke (the author of Mystery of Selfe-Deceiving, 1642), Thomas Fuller (1608-1661), William Law, and three Continental moralists, Esprit and Pascal, Jansenists, and J. F. Bernard, a French Calvinist.¹¹

Christian rigorism by Mandeville's time had had a long history. From and including St. Augustine on, it had undergone many types of doctrinal dilution and moderation even on the part of some of its most ardent exponents. In Mandeville, and in Kaye, it is presented only in its barest and starkest form. Kaye, however, required by his thesis to show that Mandeville's doctrine was "in accord with a great body of contemporary theory,"¹² while accepting it as "the code of rigorism" treats it as if it were identical with any moral system calling for any measure of self-discipline or associated with any type of religious-mindedness.¹³ He also identifies it with rationalism in ethics as such, as if any rationalistic ethics, merely because it calls for some measure of discipline of the passions by "reason," is ipso facto "rigorist."¹⁴

Mandeville was presumably directing his satire primarily at contemporary Englishmen, not at men who had been dead for generations nor at participants in Continental theological controversies without real counterpart in England, at least since the Restoration. If this is accepted, then of the men cited by Kaye to show the orthodoxy and the contemporaneity of rigorism only William Law has any relevance. But Law was an avowed "enthusiast," and in the England of Mandeville's time this was almost as heretical as to be an avowed sceptic. Calvinism in its origins had been unquestionably—though not unqualifiedly—rigoristic. By Mandeville's time, however, avowed Calvinism was almost extinct in England; even in Geneva, in Scotland, in Holland, its rigorism had been much softened by the spread of Arminianism and by a variety of procedures of theological accommodation or mediation between the life of grace and the life of this sinful world. On the Continent, Jansenists were still expounding a severe rigorism. But Jansenist rigorism was not "orthodox." Though not as extreme as Mandeville's rigorism, it had repeatedly been condemned by Catholic authorities as "rigorisme outré."¹⁵

To take seriously Mandeville's rigorism, the narrowness with which he defines "virtue," the broadness with which he defines "vice," his failure to recognize any intermediate ground between "virtue" and outright "vice," or any shades or degrees of either, the positiveness with which he assigns to eternal damnation all who depart in any degree from "virtue" as he defines it, is therefore to accept Mandeville as a genuine exponent of a rigorism too austere and too grim not only for the ordinary run of orthodox Anglicans or Catholics of his time but even for St. Augustine (at times), for the Calvinists, and for the Jansenists.

Kaye justifiably puts great stress on the extent of Mandeville's indebtedness to Pierre Bayle. There is not the space here to elaborate, but it could be shown, I believe, that Mandeville was also indebted greatly, both indirectly through Bayle and directly, to the Jansenist, Pierre Nicole, and that Mandeville's rigorism was a gross distortion of, while Bayle's was essentially faithful to, Nicole's system.¹⁶ Nicole insisted that "true virtue" in the rigorist sense was necessary for