arrives in 1763, under the protection of Sir Andrew Mitchell.—Lord Scarsdale: Mr. Coutts: Mr. Andrew Millar: Mr. Joseph Johnson.—Fuseli receives engagements from the booksellers.—His first residence in London: becomes acquainted with Smollet: Falconer: A. Kauffman: Mrs. Lloyd: Mr. Cadell: Garrick.—Fuseli accepts, and shortly after relinquishes the charge of travelling tutor to the son of the Earl of Waldegrave.—His first interview with Sir Joshua Reynolds.—His earliest production in oil painting.—He visits Liverpool.—Takes part in Rousseau's quarrel with Hume and Voltaire, (1767) and exerts his pen in the cause of his countryman.

It was fortunate for Fuseli and his friends, that the learned Sulzer, who held the situation of professor of mathematics in the Joachimsthel College, at Berlin, was at Zurich at this time, having obtained leave from the King of Prussia to visit his native country, to endeavour to dissipate his grief for the loss of a beloved wife. Sulzer, who had taken a lively interest in the cause which these young men had advocated, was about to return to Berlin, and offered to take them with him: this opportunity was not to be neglected; and he, Fuseli, Lavater, Jacob and Felix Hess, set out on their journey, early in the year 1763, accompanied by a numerous train of friends and admirers, who attended them as far as Winterthur, at which place they were welcomed with fervour, as the enemies of oppression.

Sulzer justly and properly appreciated what would probably be felt by young men who, for the first time, leave home and those connexions which make home dear to them; and he therefore, in order to dissipate any unpleasant feelings, determined to remain for some days at those cities or towns on the road, where there was any thing to be seen worthy of attention. The change, however, was less felt by Fuseli than by his companions; the profession in which he had been employed was not one of his choice; he had always entertained a strong desire to travel, and he had lost, a few years previously, an affectionate mother[7] to whom he was tenderly attached.

The first city of note at which they tarried was Augsburgh: here Fuseli showed his predilection for art, in giving, by letter to his friends at Zurich, a florid description of the sensations which he experienced on seeing the colossal figure of St. Michael over the gateway of the arsenal, the work of a Bavarian sculptor, Reichel. In the churches and senate-house of this city, the paintings of Tintoretto, Schönfeld, and Rothenhamer, attracted his particular attention; and he expressed his regret at the neglect which appeared to attend the works of the last-named master, (whom he eulogizes as "one of the most able painters of Germany,") as his pictures were then falling into rapid decay.

At Leipsic, they were introduced by Sulzer to Ernesti, Gellert, Weisse, and other literati. From the description which Fuseli gave of the two former, it is evident that he, as well as Lavater, had paid early in life a sedulous attention to physiognomy. Of Ernesti, he says, "although he spoke of the liberality of all classes in Saxony, his countenance did not agree with his words; on the contrary, he seems to be growing intolerant from knowledge and from authorship." Of Gellert, he remarks, "he has an expressive mouth, it turns on one side with a sensible easy smile; he is so gentle, so accustomed to express simplicity in his very countenance, and yet so quick-sighted, that he was disturbed by being looked at, and inquired whether I was displeased with him; he has certainly a tendency to hypochondria."

On their arrival at Berlin, Sulzer commenced (according to a promise made at Zurich) arrangements for publishing a splendid and improved edition of his friend Bodmer's "Noachide," which was to be embellished with engravings. B. Rhode, of Berlin, was employed to make the designs for the first four cantos; those for the remaining eight were furnished by Fuseli, who, not only to raise his own credit, but to show his gratitude to Bodmer, exerted his utmost ability upon that work. Comparing these with his former drawings, it is evident that the St. Michael, at Augsburgh, was the standard for the stupendous forms which he introduced against a murky sky, in the terrible scenes of the destruction of the primeval inhabitants of the earth. In these subjects he succeeded beyond expectation. In the more lovely scenes of the poem he was not equally happy; for, "instead of repose and cheerfulness, his female figures had a degree of wantonness bordering somewhat upon voluptuousness."

The popularity of the cause which induced Fuseli and his companions to leave Zurich travelled before them, and they were caressed not only by the friends and acquaintances of Sulzer, at Berlin, but by all those who were enemies to oppression from whatever quarter it might spring. Among these, was the then Baron Arnheim, who was so much pleased with the recital of the transaction, and struck with the appearance and conversation of Fuseli and Lavater, that he had a picture painted, representing their first interview, which is still preserved by his family.

After remaining a short time at Berlin, Sulzer placed his young friends with Professor Spalding, who resided at Barth, in Hither Pomerania. Fuseli here pursued his classical studies with eagerness, and did not neglect the fine arts, for we find that he drew the portrait of the Professor's daughter, and also added to the decorations of her summer-house by his pencil.

During a residence of six months at Barth, he gained the highest estimation for talents with all those who knew him, and the esteem of Spalding, but he left his friends there, being recalled to Berlin by Sulzer.

The cause of Fuseli's return to the capital was, that, at this time, some of the literati of Germany and Switzerland had it in contemplation to establish a regular channel of literary communication between those countries and England. Fuseli's tutors and friends, Bodmer, Breitenger, and Sulzer, felt a lively interest in this project, and took an active part in carrying the design into execution. These philosophers thought, that there was no person better qualified than Fuseli to conduct the business. He was possessed of great mental and bodily activity; they had the highest opinion of his talents; and they considered that his extensive knowledge of modern languages would facilitate their project. In making the proposal, Sulzer represented that it would be inconvenient, if not dangerous, for him to go back, within a limited time, to Zurich; for it was well known to the family of Grebel, that he had taken the most active part in the affair against their relation: and moreover that, although his companions might, under this circumstance, from their powerful connexions, return at no distant period with impunity, yet Fuseli, not so happily situated, would suffer from all the effects of tyranny which power could exercise. This reasoning had its due effect upon the mind of Fuseli; he however asked the opinion of his father, which being in favour of his accepting the offer of Sulzer, made him determine to visit England.

Sir Andrew Mitchell was at this time the British minister at the court of Prussia: he was a friend of Sulzer's, who accordingly introduced Fuseli to him. At his house he improved much in English conversation, and he met several men of literary note, among whom was Dr. Armstrong, who was then physician to the British forces in Germany; and with