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قراءة كتاب The Early Life and Adventures of Sylvia Scarlett
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The Early Life and Adventures of Sylvia Scarlett
she began once more to frequent the company of her neighbors in her zest for the least scrap of information that would help the fulfilment of it. There was no fantastic concoction she would not drink, nor any omen she would not propitiate. Half the saints in the calendar were introduced to her by ladies that knew them and vouched for the interest they would take in her pregnancy. Juliette never confided to anybody her reason for wanting a boy; and nobody suspected it, since half a dozen girls were enough to explain any woman’s desire for a change. One adviser discovered in a tattered volume of obstetrical theory that when the woman was older than the man the odds were on a male child. Juliette’s researches to gather confirmation of this remark led her into discussions about unequal marriages; and as the time of her confinement drew near she became gentler and almost anxious to discuss her love for Henry Snow, so much gentler and less reserved that those who had formerly whispered loudest and most falsely to one another now whispered sympathetically to her.
On the day before Juliette’s confinement her husband came in from work very irritable.
“Here, when’s this baby going to be born? I’m getting a bit annoyed. The men at the office are betting on its being a boy. It makes me look a fool, you know, that sort of thing.”
She clutched his arm. “Which do you want, Henri? Tell me, mon amour, mon homme.”
“I don’t care which it is, as long as you’re quick about it and this betting stops.”
That night she was delivered of a girl, and because it was his she choked down the wild disappointment and loved Sylvia the best of all her seven girls.
SYLVIA
SCARLETT
Sylvia Scarlett
CHAPTER I
THE first complete memory of her father that Sylvia possessed was of following her mother out into the street on a clear moonlight night after rain and of seeing him seated in a puddle outside the house, singing an unintelligible song which he conducted with his umbrella. She remembered her mother’s calling to him sharply, and how at last after numerous shakings and many reproaches he had walked into the house on all fours, carrying the umbrella in his mouth like a dog. She remembered that the umbrella was somehow wrong at the end, different from any other umbrella she had ever seen, so that when it was put into the hall-stand it looked like a fat old market woman instead of the trim young lady it should have resembled. She remembered how she had called her mother’s attention to the loss of its feet and how her mother, having apparently realized for the first time her presence at the scene, had promptly hustled her up-stairs to bed with so much roughness that she had cried.
When Sylvia was older and had become in a way her mother’s confidante, sitting opposite to her in the window to sew until it was no longer possible to save oil for the lamp, she ventured to recall this scene. Her mother had laughed at the remembrance of it and had begun to hum the song her father had sung:
La da-di la-di-da.
“Shall I ever forget him?” Madame Snow had cried. “It was the day your sister Elène was married, and he had been down to the railway-station to see them off to Bruxelles.”
Sylvia had asked what the words of the song meant, and had been told that they meant women were always running around.
“Where?” she had pressed.
“Some of them after men and others running away from them,” her mother had replied.
“Shall I do that when I’m big?” Sylvia had continued. “Which shall I do?”
But it had been time to fetch the lamp and the question had remained unanswered.
Sylvia was five when her sister Elène was married; soon afterward Henriette married, too. She remembered that very well, because Marie went to join Françoise in the other bedroom, and with only Marguerite and Valentine left, they no longer slept three in a bed. This association had often been very uncomfortable because Marguerite would eat biscuits, the crumbs of which used to scratch her legs; and worse than the crumbs was the invariable quarrel between Marguerite and Valentine that always ended in their pinching each other across Sylvia, so that she often got pinched by mistake.
For several years Sylvia suffered from being the youngest of many sisters, and her mother’s favorite. When she went to school, she asked other girls if it were not nicer to have brothers, but the stories she heard about the behavior of boys made her glad there were only girls in her house. She had practical experience of the ways of boys when at the age of eight she first took part in the annual féerie at the Lille theater. On her first appearance she played a monster; though all the masks were very ugly, she, being the smallest performer, always got the ugliest, and with the progress of the season the one that was most knocked about. In after years these performances seemed like a nightmare of hot cardboard-scented breath, of being hustled down the stone stairs from the dressing-room, of noisy rough boys shouting and scrambling for the best masks, of her legs being pinched, while she was waiting in the wings, by invisible boys, and once of somebody’s twisting her mask right round as they made the famous entrance of the monsters, so that, being able to see nothing, she fell down and made all the audience laugh. Such were boys!
In contrast with scenes of discomfort and misery like these were the hours when she sat sewing with her mother in the quiet house. There would be long silences only broken by the sound of her mother’s hand searching for new thread or needle in the work-basket, of clocks, of kettle on the hob, or of distant street cries. Then her mother would suddenly laugh to herself and begin a tale so interesting that Sylvia’s own needlework would lie idly on her knee, until she was reproved for laziness, and silence again inclosed the room. Sometimes the sunset would glow through the window-panes upon her mother’s work, and Sylvia would stare entranced at the great silken roses that slowly opened their petals for those swift fingers. Sometimes it would be a piece of lace that lay on her mother’s lap, lace that in the falling dusk became light and mysterious as a cloud. Yet even these tranquil hours had storms, as on the occasion when her mother had been working all day at a lace cap which had been promised without fail to somebody at the theater who required it that night. At six o’clock she had risen with a sigh and given the cap to Sylvia to hold while she put on her things to take it down to the theater. Sylvia had stood by the fire, dreaming over the beauty of the lace; and then without any warning the cap had fallen into the fire and in a moment was ashes. Sylvia wished she could have followed the cap when she saw her mother’s face of despair on realizing what had happened. It was then that for the first time she learned how much depended upon her mother’s work; for during all that week, whenever she was sent out on an errand, she was told to buy only the half of everything, half the usual butter, half the usual sugar, and what was stranger still to go to shops outside the quartier at which Madame Snow never dealt. When she inquired the reason of this her mother asked her if she wanted all the quartier to know that they were poor and could only afford to buy half the usual amount that week.
Sylvia, when the first shame of her carelessness had died away, rather enjoyed these excursions to streets more remote, where amusing adventures were always possible. One Saturday afternoon in April

