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قراءة كتاب Paris and the Parisians in 1835 (Vol. 2)

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Paris and the Parisians in 1835 (Vol. 2)

Paris and the Parisians in 1835 (Vol. 2)

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دار النشر: Project Gutenberg
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the voice is a contrast; the glance of the eye is a contrast; the smile is a contrast; the step is a contrast. Were every feature of a dame de l'Empire and a femme noble formed precisely in the same mould, I am quite sure that the two would look no more alike than Queen Constance and Nell Gwyn.

Nor is there at all less difference in the two races of gentlemen. I speak not of the men of science or of art; their rank is of another kind: but there are still left here and there specimens of decorated greatness which look as if they must have been dragged out of the guard-room by main force; huge moustached militaires, who look at every slight rebuff as if they were ready to exclaim, "Sacré nom de D* * *! je suis un héros, moi! Vive l'Empereur!"

A good deal is sneeringly said respecting the parvenus fashionables of the present day: but station, and place, and court favour, must at any rate give something of reality to the importance of those whom the last movement has brought to the top; and this is vastly less offensive than the empty, vulgar, camp-like reminiscences of Imperial patronage which are occasionally brought forward by those who may thank their sabre for having cut a path for them into the salons of Paris. The really great men of the Empire—and there are certainly many of them—have taken care to have other claims to distinction attached to their names than that of having been dragged out of heaven knows what profound obscurity by Napoleon: I may say of such, in the words of the soldier in Macbeth—

"If I say sooth, I must report they were

As cannon overcharged with double cracks."

As for the elderly ladies, who, from simple little bourgeoises demoiselles, were in those belligerent days sabred and trumpeted into maréchales and duchesses, I must think that they make infinitely worse figures in a drawing-room, than those who, younger in years and newer in dignity, have all their blushing honours fresh upon them. Besides, in point of fact, the having one Bourbon prince instead of another upon the throne, though greatly to be lamented from the manner in which it was accomplished, can hardly be expected to produce so violent a convulsion among the aristocracy of France, as must of necessity have ensued from the reign of a soldier of fortune, though the mightiest that ever bore arms.

Many of the noblest races of France still remain wedded to the soil that has been for ages native to their name. Towards these it is believed that King Louis-Philippe has no very repulsive feelings; and should no farther changes come upon the country—no more immortal days arise to push all men from their stools, it is probable that the number of these will not diminish in the court circles.

Meanwhile, the haut-ton born during the last revolution must of course have an undisputed entrée everywhere; and if by any external marks they are particularly brought forward to observation, it is only, I think, by a toilet among the ladies more costly and less simple than that of their high-born neighbours; and among the gentlemen, by a general air of prosperity and satisfaction, with an expression of eye sometimes a little triumphant, often a little patronizing, and always a little busy.

It was a duchess, and no less, who decidedly gave me the most perfect idea of an Imperial parvenue that I have ever seen off the stage. When a lady of this class attains so very elevated a rank, the perils of her false position multiply around her. A quiet bourgeoise turned into a noble lady of the third or fourth degree is likely enough to look a little awkward; but if she has the least tact in the world, she may remain tranquil and sans ridicule under the honourable shelter of those above her. But when she becomes a duchess, the chances are terribly against her: "Madame la Duchesse" must be conspicuous; and if in addition to mauvais ton she should par malheur be a bel esprit, adding the pretension of literature to that of station, it is likely that she will be very remarkable indeed.

Soiree

Drawn & Etched by A. Hervieu.

Soiree.

London. Published by Richard Bentley. 1835.

My parvenue duchess is very remarkable indeed. She steps out like a corporal carrying a message: her voice is the first, the last, and almost the only thing heard in the salon that she honours with her presence,—except it chance, indeed, that she lower her tone occasionally to favour with a whisper some gallant décoré, military, scientific or artistic, of the same standing as herself; and moreover, she promenades her eyes over the company as if she had a right to bring them all to roll-call.

Notwithstanding all this, the lady is certainly a person of talent; and had she happily remained in the station in which both herself and her husband were born, she might not perhaps have thought it necessary to speak quite so loud, and her bons mots would have produced infinitely greater effect. But she is so thoroughly out of place in the grade to which she has been unkindly elevated, that it seems as if Napoleon had decided on her fate in a humour as spiteful as that of Monsieur Jourdain, when he said—

"Votre fille sera marquise, en dépit de tout le monde: et si vous me mettez en colère, je la ferai duchesse."

LETTER XLV.

L'Abbé Lacordaire.—Various Statements respecting him.—Poetical description of Notre Dame.—The prophecy of a Roman Catholic.—Les Jeunes Gens de Paris—Their omnipotence.

The great reputation of another preacher induced us on Sunday to endure two hours more of tedious waiting before the mass which preceded the sermon began. It is only thus that a chair can be hoped for when the Abbé Lacordaire mounts the pulpit of Notre Dame. The penalty is really heavy; but having heard this celebrated person described as one who "appeared sent by Heaven to restore France to Christianity"—as "a hypocrite that set Tartuffe immeasurably in the background"—as "a man whose talent surpassed that of any preacher since Bossuet"—and as "a charlatan who ought to harangue from a tub, instead of from the chaire de Notre Dame de Paris,"—I determined upon at least seeing and hearing him, however little I might be able to decide on which of the two sides of the prodigious chasm that yawned between his friends and enemies the truth was most likely to be found. There were, however, several circumstances which lessened the tedium of this long interval: I might go farther, and confess that this period was by no means the least profitable portion of the four hours which we passed in the church.

On entering, we found the whole of the enormous nave railed in, as it had been on Easter Sunday for the concert (for so in truth should that performance be called); but upon applying at the entrance to this enclosure, we were told that no ladies could be admitted to that part of the church—but that the side aisles were fully furnished with chairs, and afforded excellent places.

This arrangement astonished me in many ways:—first, as being so perfectly un-national; for go where you will in France, you find the best places reserved for the women,—at least, this was the first instance in which I ever found it otherwise. Next, it astonished me, because at every church I had entered, the congregations, though always crowded, had been composed of at least

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