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قراءة كتاب Interpretations of Poetry and Religion

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Interpretations of Poetry and Religion

Interpretations of Poetry and Religion

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دار النشر: Project Gutenberg
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href="@public@vhost@g@gutenberg@html@files@48563@[email protected]#II" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">THE HOMERIC HYMNS

III. THE DISSOLUTION OF PAGANISM IV. THE POETRY OF CHRISTIAN DOGMA V. PLATONIC LOVE IN SOME ITALIAN POETS VI. THE ABSENCE OF RELIGION IN SHAKESPEARE VII. THE POETRY OF BARBARISM VIII. EMERSON IX. A RELIGION OF DISILLUSION X. THE ELEMENTS AND FUNCTION OF POETRY

I

UNDERSTANDING, IMAGINATION, AND MYSTICISM

When we consider the situation of the human mind in Nature, its limited plasticity and few channels of communication with the outer world, we need not wonder that we grope for light, or that we find incoherence and instability in human systems of ideas. The wonder rather is that we have done so well, that in the chaos of sensations and passions that fills the mind, we have found any leisure for self-concentration and reflection, and have succeeded in gathering even a light harvest of experience from our distracted labours. Our occasional madness is less wonderful than our occasional sanity. Relapses into dreams are to be expected in a being whose brief existence is so like a dream; but who could have been sure of this sturdy and indomitable perseverance in the work of reason in spite of all checks and discouragements?

The resources of the mind are not commensurate with its ambition. Of the five senses, three are of little use in the formation of permanent notions: a fourth, sight, is indeed vivid and luminous, but furnishes transcripts of things so highly coloured and deeply modified by the medium of sense, that a long labour of analysis and correction is needed before satisfactory conceptions can be extracted from it. For this labour, however, we are endowed with the requisite instrument. We have memory and we have certain powers of synthesis, abstraction, reproduction, invention,—in a word, we have understanding. But this faculty of understanding has hardly begun its work of deciphering the hieroglyphics of sense and framing an idea of reality, when it is crossed by another faculty—the imagination. Perceptions do not remain in the mind, as would be suggested by the trite simile of the seal and the wax, passive and changeless, until time wear off their sharp edges and make them fade. No, perceptions fall into the brain rather as seeds into a furrowed field or even as sparks into a keg of powder. Each image breeds a hundred more, sometimes slowly and subterraneously, sometimes (when a passionate train is started) with a sudden burst of fancy. The mind, exercised by its own fertility and flooded by its inner lights, has infinite trouble to keep a true reckoning of its outward perceptions. It turns from the frigid problems of observation to its own visions; it forgets to watch the courses of what should be its "pilot stars." Indeed, were it not for the power of convention in which, by a sort of mutual cancellation of errors, the more practical and normal conceptions are enshrined, the imagination would carry men wholly away,—the best men first and the vulgar after them. Even as it is, individuals and ages of fervid imagination usually waste themselves in dreams, and must disappear before the race, saddened and dazed, perhaps, by the memory of those visions, can return to its plodding thoughts.

Five senses, then, to gather a small part of the infinite influences that vibrate in Nature, a moderate power of understanding to interpret those senses, and an irregular, passionate fancy to overlay that interpretation—such is the endowment of the human mind. And what is its ambition? Nothing less than to construct a picture of all reality, to comprehend its own origin and that of the universe, to discover the laws of both and prophesy their destiny. Is not the disproportion enormous? Are not confusions and profound contradictions to be looked for in an attempt to build so much out of so little?

Yet the metaphysical ambition we speak of cannot be abandoned, because whatever picture of things we may carry about in our heads we are bound to regard as a map of reality; although we may mark certain tracts of it "unexplored country," the very existence of such regions is vouched for only by our representation, and is necessarily believed to correspond to our idea. All we can do is, without abandoning the aspiration to knowledge which is the inalienable birthright of reason, to control as best we may the formation of our conceptions; to arrange them according to their derivation and measure them by their applicability in life, so prudently watching over their growth that we may be spared the deepest of sorrows—to survive the offspring of our own thought.

The inadequacy of each of our faculties is what occasions the intrusion of some other faculty into its field. The defect of sense calls in imagination, the defect of imagination calls in reasoning, the defect of reasoning divination. If our senses were clairvoyant and able to observe all that is going on in the world, if our instincts were steady, prompting us to adequate reactions upon these observations, the fancy might remain free. We should not need to call upon it to piece out the imperfections of sense and reflection, but we should employ it only in avowed poetry, only in building dream-worlds alongside of the real, not interfering with the latter or confusing it, but repeating its pattern with as many variations as the fertility of our minds could supply. As it is, the imagination is brought into the service of sense and instinct, and made to do the work of intelligence. This substitution is the more readily effected, in that imagination and intelligence do not differ in their origin, but only in their validity. Understanding is an applicable fiction, a kind of wit with a practical use. Common sense and science live in a world of expurgated mythology, such as Plato wished his poets to compose, a world where the objects are imaginative in their origin and essence, but useful, abstract, and beneficent in their suggestions. The sphere of common sense and science is concentric with the sphere of fancy; both move in virtue of the same imaginative impulses. The eventual distinction between intelligence and imagination is ideal; it arises when we discriminate various

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