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قراءة كتاب Interpretations of Poetry and Religion

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Interpretations of Poetry and Religion

Interpretations of Poetry and Religion

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دار النشر: Project Gutenberg
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loses her honesty and freedom, becomes a flatterer of things instead of the principle of their ideal correction, and in the attempt to prove herself prophetic and literally valid (as in a moment of infatuation she had fancied herself to be) she forfeits that symbolic truth, that inner propriety, which gave her a moral value. Thus the false steps of the imagination lead to a contorted science and to a servile ideal.

These complications not unnaturally inspire discouragement and a sense of the hopeless relativity of human thought. Indeed, if there be any special endowment of mind and body called human nature, as there seems to be, it is obvious that all human experience must be relative to that. But the truth, the absolute reality, surrounds and precedes these operations of finite faculty. What value, then, we may say, have these various ideals or perceptions, or the conflicts between them? Are not our senses as human, as "subjective" as our wills? Is not the understanding as visionary as the fancy? Does it not transform the Unknowable into as remote a symbol as does the vainest dream?

The answer which a rational philosophy would make to these questions would be a double one. It is true that every idea is equally relative to human nature and that nothing can be represented in the human mind except by the operation of human faculties. But it is not true that all these products of human ideation are of equal value, since they are not equally conducive to human purposes or satisfactory to human demands.

The impulse that would throw over as equally worthless every product of human art, because it is not indistinguishable from some alleged external reality, does not perceive the serious self-contradictions under which it labours. In the first place the notion of an external reality is a human notion; our reason makes that hypothesis, and its verification in our experience is one of the ideals of science, as its validity is one of the assumptions of daily life. In throwing over all human ideas, because they are infected with humanity, all human ideas are being sacrificed to one of them—the idea of an absolute reality. If this idea, being human, deserved that such sacrifices should be made for it, have the other notions of the mind no rights? Furthermore, even if we granted for the sake of argument a reality which our thoughts were essentially helpless to represent, whence comes the duty of our thoughts to represent it? Whence comes the value of this unattainable truth? From an ideal of human reason. We covet truth. So that the attempt to surrender all human science as relative and all human ideals as trivial is founded on a blind belief in one human idea and an absolute surrender to one human passion.

In spite of these contradictions, which only a dispassionate logic could thoroughly unravel, the enthusiast is apt to rush on. The vision of absolute truth and absolute reality intoxicates him, and as he is too subtle a thinker, too inward a man, to accept the content of his senses or the conventions of his intelligence for unqualified verities, he fortifies himself against them with the consciousness of their relativity, and seeks to rise above them in his meditations. But to rise to what? To some more elaborate idea? To some object, like a scientific cosmos or a religious creed, put together by longer and more indirect processes than those of common perception? Surely not. If I renounce my senses and vulgar intellect because they are infected with finitude and smell of humanity, how shall I accept a work of art, a product of reasoning, or an idol made originally with hands and now encrusted all over, like the statue of Glaucus, with traditional accretions? Poetry, science, and religion, in their positive constructions, are more human, more conditioned, than are the senses and the common understanding themselves. The lover of inviolate reality must not look to them. If the data of human knowledge must be rejected as subjective, how much more should we reject the inferences made from those data by human thought. The way of true wisdom, therefore, if true wisdom is to deal with the Absolute, can only lie in abstention: neither the senses nor the common understanding, and much less the superstructure raised upon these by imagination, logic, or tradition, must delude us: we must keep our thoughts fixed upon the inanity of all this in comparison with the unthinkable truth, with the undivided and unimaginable reality. Everything, says the mystic, is nothing, in comparison with the One.

This confusion, the logical contradiction of which we have just seen, may, for lack of a more specific word, be called mysticism. It consists in the surrender of a category of thought on account of the discovery of its relativity. If I saw or reasoned or judged by such a category, I should be seeing, reasoning, or judging in a specific manner, in a manner conditioned by my finite nature. But the specific and the finite, I feel, are odious; let me therefore aspire to see, reason and judge in no specific or finite manner—that is, not to see, reason or judge at all. So I shall be like the Infinite, nay I shall become one with the Infinite and (marvellous thought!) one with the One.

The ideal of mysticism is accordingly exactly contrary to the ideal of reason; instead of perfecting human nature it seeks to abolish it; instead of building a better world, it would undermine the foundations even of the world we have built already; instead of developing our mind to greater scope and precision, it would return to the condition of protoplasm—to the blessed consciousness of an Unutterable Reality. In the primary stages, of course, mysticism does not venture to abolish all our ideas, or to renounce all our categories of thought. Thus many Christian mystics have still clung, out of respect for authority, to traditional theology, and many philosophical mystics have made some room for life and science in the post-scripts which they, like Parmenides, have appended to the blank monism of their systems. But such concessions or hesitations are inconsistent with the mystical spirit which will never be satisfied, if fully developed and fearless, with anything short of Absolute Nothing.

For the very reason, however, that mysticism is a tendency to obliterate distinctions, a partial mysticism often serves to bring out with wonderful intensity those underlying strata of experience which it has not yet decomposed. The razing of the edifice of reason may sometimes discover its foundations. Or the disappearance of one department of activity may throw the mind with greater energy into another. So Spinoza, who combined mysticism in morals with rationalism in science, can bring out the unqualified naturalism of his system with a purity and impressiveness impossible to men who still retain an ideal world, and seek to direct endeavour as well as to describe it. Having renounced all ideal categories, Spinoza has only the material categories left with which to cover the ground. He thus acquires all the concentrated intensity, all the splendid narrowness, which had belonged to Lucretius, while his mystical treatment of the spheres which Lucretius simply ignored, gives him the appearance of a greater profundity. So an ordinary Christian who is mystical, let us say, about time and space, may use his transcendentalism in that sphere to intensify his positivism in theology, and to emphasize his whole-souled surrender to a devout life.

What is impossible is to be a transcendentalist "all 'round." In that case there would be nothing left to transcend; the civil war of the mind would have ended in the extermination of all parties. The art of mysticism is to be mystical in spots and to aim the heavy guns of your transcendental philosophy against those realities or those ideas which you find particularly galling. Planted on your dearest dogma, on your most precious postulate, you may then transcend everything else to your heart's content. You may say with an air of enlightened profundity that nothing is "really" right or wrong, because in Nature all

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