unamusing, is fairly deducible from it. Troilus and Cressida are a fine graft upon it. But those two big bulks"—

* * * * *

Disraeli wrote a book on the Quarrels of Authors. Somebody should write one on the Friendships of Literary Men. If such a work is ever written, Charles Lamb and Samuel Taylor Coleridge will be honorably mentioned therein. For among all the friendships celebrated in tale or history there is none more admirable than that which existed between these two eminent men. The "golden thread that tied their hearts together" was never broken. Their friendship was never "chipt or diminished"; but the longer they lived, the stronger it grew. Death could not destroy it.

Lamb, after Coleridge's death, as if weary of "this green earth," as if not caring if "sun, and sky, and breeze, and solitary walks, and summer holidays, and the greenness of fields, and the delicious juices of meats and fishes, and society, and the cheerful glass, and candle-light, and fireside conversations, and innocent vanities, and jests, and irony itself," went out with life, willingly sought "Lavinian shores."

"Lamb," as Mr. John Foster says, in his beautiful tribute to his memory, "never fairly recovered the death of Coleridge. He thought of little else (his sister was but another portion of himself) until his own great spirit joined his friend. He had a habit of venting his melancholy in a sort of mirth. He would, with nothing graver than a pun, 'cleanse his bosom of the perilous stuff that weighed' upon it. In a jest, or a few light phrases, he would lay open the last recesses of his heart. So in respect of the death of Coleridge. Some old friends of his saw him two or three weeks ago and remarked the constant turning and reference of his mind. He interrupted-himself and them almost every instant with some play of affected wonder, or astonishment, or humorous melancholy, on the words, 'Coleridge is dead.' Nothing could divert him from that, for the thought of it never left him. About the same time, we had written to him to request a few lines for the literary album of a gentleman who entertained a fitting admiration of his genius. It was the last request we were destined to make, the last kindness we were allowed to receive. He wrote in Mr. Keymer's volume,—and wrote of Coleridge."

And this is what he said of his friend: it would be, as Mr. Foster says, impertinence to offer one remark on it:—

"When I heard of the death of Coleridge, it was without grief. It seemed to me that he long had been on the confines of the next world,—that he had a hunger for eternity. I grieved then that I could not grieve. But since, I feel how great a part he was of me. His great and dear spirit haunts me. I cannot think a thought, I cannot make a criticism on men or books, without an ineffectual turning and reference to him. He was the proof and touchstone of all my cogitations. He was a Grecian (or in the first form) at Christ's Hospital, where I was Deputy-Grecian; and the same subordination and deference to him I have preserved through a life-long acquaintance. Great in his writings, he was greatest in his conversation. In him was disproved that old maxim, that we should allow every one his share of talk. He would talk from morn to dewy eve, nor cease till far midnight; yet who ever would interrupt him? who would obstruct that continuous flow of converse, fetched from Helicon or Zion? He had the tact of making the unintelligible seem plain. Many who read the abstruser parts of his 'Friend' would complain that his works did not answer to his spoken wisdom. They were identical. But he had a tone in oral delivery which seemed to convey sense to those who were otherwise imperfect recipients. He was my fifty-years-old friend without a dissension. Never saw I his likeness, nor probably the world can see again. I seem to love the house he died at more passionately than when he lived. I love the faithful Gilmans more than while they exercised their virtues towards him living. What was his mansion is consecrated to me a chapel.

"CHS. LAMB.

"EDMONTON, November 21, 1834."

* * * * *

Having seen what Charles Lamb says of Coleridge, perhaps the reader would like to see what Charles Lamb says of himself. For he, (though but few of his readers are aware of the fact,) like Lord Herbert of Cherbury, Gibbon, Franklin, and other eminent men, wrote an autobiography. It is certainly the briefest, and perhaps the wittiest and most truthful autobiographical sketch in the language. It was published in the "New Monthly Magazine" a few months after its author's death, with the following preface or introduction from the pen of some unknown admirer of Elia:—

"We have been favored, by the kindness of Mr. Upcott, with the following sketch, written in one of his manuscript collections, by Charles Lamb. It will be read with deep interest by all, but with the deepest interest by those who had the honor and the happiness of knowing the writer. It is so singularly characteristic, that we can scarcely persuade ourselves we do not hear it, as we read, spoken from his living lips. Slight as it is, it conveys the most exquisite and perfect notion of the personal manner and habits of our friend. For the intellectual rest, we lift the veil of its noble modesty, and can even here discern them. Mark its humor, crammed into a few thinking words,—its pathetic sensibility in the midst of contrast,—its wit, truth, and feeling,—and, above all, its fanciful retreat at the close under a phantom cloud of death."

CHARLES LAMB'S AUTOBIOGRAPHY.

"Charles Lamb, born in the Inner Temple, 10th February, 1775; educated in Christ's Hospital; afterwards a clerk in the Accountants' Office, East-India House; pensioned off from that service, 1825, after thirty-three years' service; is now a gentleman at large;—can remember few specialties in his life worth noting, except that he once caught a swallow flying (teste suâ manu). Below the middle stature; cast of face slightly Jewish, with no Judaic tinge in his complexional religion; stammers abominably, and is therefore more apt to discharge his occasional conversation in a quaint aphorism or a poor quibble than in set and edifying speeches; has consequently been libelled as a person always aiming at wit, which, as he told a dull fellow that charged him with it, is at least as good as aiming at dulness. A small eater, but not drinker; confesses a partiality for the production of the juniper-berry; was a fierce smoker of tobacco, but may be resembled to a volcano burnt out, emitting only now and then a casual puff. Has been guilty of obtruding upon the public a tale in prose, called 'Rosamund Gray,'—a dramatic sketch, named 'John Woodvil,'—a 'Farewell Ode to Tobacco,'—with sundry other poems, and light prose matter, collected in two slight crown octavos, and pompously christened his works, though in fact they were his recreations, and his true works may be found on the shelves of Leadenhall Street, filling some hundred folios. He is also the true Elia, whose essays are extant in a little volume, published a year or two since, and rather better known from that name without a meaning than from anything he has done, or can hope to do, in his own. He also was the first to draw the public attention to the old English dramatists, in a work called 'Specimens of English Dramatic Writers who lived about the Time of Shakspeare,' published about fifteen years since. In short, all his merits and demerits to set forth would take to the end of Mr. Upcott's book, and then not be told truly.

  "He died _____ 18__, much lamented.[A]
  Witness his hand,
  CHARLES LAMB.

"18th April, 1827."

[Footnote A: "To Anybody—Please to fill up these