HENRY FUSELI ESQ^re

Engraved by Deane from a Painting by Harlow

London, Published by Henry Colburn & Richard Bentley, 1830.

THE LIFE

AND

WRITINGS

OF

HENRY FUSELI, Esq. M.A. R.A.

KEEPER, AND PROFESSOR OF PAINTING TO THE
ROYAL ACADEMY IN LONDON; MEMBER OF THE FIRST CLASS
OF THE ACADEMY OF ST. LUKE AT ROME.

THE FORMER WRITTEN, AND THE LATTER EDITED BY

JOHN KNOWLES, F.R.S.

CORRESPONDING MEMBER OF THE PHILOSOPHICAL SOCIETY AT ROTTERDAM,

HIS EXECUTOR.

"Animo vidit, ingenio complexus est, eloquentiâ illuminavit."
Velleius Paterculus in Ciceronem.

IN THREE VOLUMES.

VOL. I.

LONDON:

HENRY COLBURN AND RICHARD BENTLEY,

NEW BURLINGTON STREET.

MDCCCXXXI.

LONDON:

PRINTED BY SAMUEL BENTLEY,

Dorset-street, Fleet-street.

TO

THE RIGHT HONORABLE

SUSAN,

COUNTESS DOWAGER OF GUILFORD,

BARONESS NORTH AND GUILFORD.

MADAM,

I feel a degree of diffidence in dedicating to your Ladyship the Life and Posthumous Works of Henry Fuseli; because, with regard to the former, no one is better acquainted with the extent of his talents, or can form a more accurate opinion of the powers of his conversation, and the excellent qualities of his head and heart, than yourself. In giving some account of his life and pursuits, I have endeavoured to speak of him as he was, and to become his "honest chronicler." How far I have succeeded, it is for your Ladyship to form a judgment. Had it ever occurred to me, during his lifetime, that it would be my lot to become his Biographer, I should have kept a Journal, and thus have been enabled to present to you, and to the world, a more copious and rich view of his colloquial powers. But as this is not the case, if the Memoir bring to your remembrance the general power of his genius, or give an adumbration of his professional merit; if it convey impressions of his profound classical attainments and critical knowledge, and recall with them the simplicity of his domestic habits, my end is fully answered.

It is not for me to make an apology for sending to the public, under the high support of your Ladyship's name, the posthumous works of my friend; as these, I know, will be acceptable to you; and many of them have already received the highest encomiums, when delivered as Lectures before the Members of the Royal Academy of Arts.

I am fully certain that if the mind which dictated these works, could now be conscious of the fact, no circumstance would give to it greater satisfaction, than the knowledge of their appearing under the sanction of your patronage.

I have the honour to subscribe myself,

Madam,

Your Ladyship's most obedient,
And obliged humble servant,

JOHN KNOWLES.

4, Osnaburgh Street, Regent's Park,
24th March, 1830.

ADVERTISEMENT.

In offering to the public the Life and a complete edition of the literary Works of Henry Fuseli, I feel myself called upon to state the sources whence the former has been drawn.

The daily intercourse and sincere friendship which subsisted for many years between this great artist and myself, afforded me the opportunity of witnessing his domestic habits, hearing many of the incidents of his life, and watching his career as an artist; and, being executor to his will, his professional as well as private papers came into my possession. Independently of these advantages, I have been in correspondence with the nearest branches of his family, (at Zurich, in Switzerland,) and from their kindness have obtained many particulars of his early life, together with the correction of some previously inaccurate dates. Whatever estimate, therefore, may be formed of my work, as a literary production, the particulars have been gathered from the most authentic and unquestionable sources.

With respect to his works, it may be necessary to state that the first Six Lectures were published in a quarto volume under Mr. Fuseli's own superintendence, and were printed in a more extended form than that in which they were delivered; additional observations having been inserted for the press, and notes added to indicate the authorities whence his opinions were derived. They are now reprinted from a copy in my possession, in which are noted some corrections by the author.

The remaining Six Lectures are published from the manuscripts in his own hand-writing, without any addition, omission, or alteration.

The Aphorisms were collated, and re-copied fairly some years before the death of the author: these are printed verbatim as he intended they should come before the public.

The History of the Italian Schools of Art will be found to contain the professional lives of Michael Angelo, Raffaelle, Titian, Correggio, and other great masters, with the author's criticisms on their works. Most of the observations on Art were made by Fuseli while in Italy and France, after a close inspection of the frescoes, pictures, or works in sculpture, which he describes or criticises; and the particulars of the lives of the artists were deduced from a careful perusal and comparison of the most elaborate and esteemed works in which they have been recorded.

The reader will notice, that, in a few instances, the same notions and expressions are repeated; a circumstance which occasioned from an eminent artist, (the late Sir Thomas Lawrence,) for whose opinion and talents I had great respect, a recommendation to "use the pruning-knife." But it appeared to me, after due consideration, to be preferable that I should print the manuscripts as they came into my hands; for to have omitted these passages might have disturbed the connexion of the reasoning and rendered the author's ideas less apparent to the reader; I therefore present his works to the world without any omission, alteration, or addition on my part.

John Knowles.

CONTENTS

OF

THE FIRST VOLUME.